Concept
Poetry
Related concepts (142)
New Criticism
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. The movement derived its name from John Crowe Ransom's 1941 book The New Criticism. The work of Cambridge scholar I. A.
Enclosed rhyme
Enclosed rhyme (or enclosing rhyme) is the rhyme scheme ABBA (that is, where the first and fourth lines, and the second and third lines rhyme). Enclosed-rhyme quatrains are used in introverted quatrains, as in the first two stanzas of Petrarchan sonnets. ''(From John Milton: "Sonnet VII") "Exposure", by Wilfred Owen, also has a good example of enclosed rhyme.
Poet laureate
A poet laureate (plural: poets laureate) is a poet officially appointed by a government or conferring institution, typically expected to compose poems for special events and occasions. Albertino Mussato of Padua and Francesco Petrarca (Petrarch) of Arezzo were the first to be crowned poets laureate after the classical age, respectively in 1315 and 1342. In Britain, the term dates from the appointment of Bernard André by Henry VII of England. The royal office of Poet Laureate in England dates from the appointment of John Dryden in 1668.
Anapestic tetrameter
Anapestic tetrameter (British spelling: anapaestic) is a poetic meter that has four anapestic metrical feet per line. Each foot has two unstressed syllables followed by a stressed syllable. It is sometimes referred to as a "reverse dactyl", and shares the rapid, driving pace of the dactyl. Anapestic tetrameter is a rhythm well suited for comic verse, and prominent examples include Clement Clarke Moore's "A Visit from St. Nicholas" and the majority of Dr. Seuss's poems.
Double dactyl
The double dactyl is a verse form invented by Anthony Hecht and Paul Pascal in 1951. Like the limerick, the double dactyl has a fixed structure, is usually humorous, and is rigid in its prosodic structure. The double dactyl's prosodic requirements are more strenuous due to its increased length, and its specific requirements as to subject matter and word choice much more rigid, making it significantly more difficult to write. There must be two stanzas, each comprising three lines of dactylic dimeter ( ̄ ̆ ̆ ̄ ̆ ̆ ) followed by a line consisting of just a choriamb ( ̄ ̆ ̆ ̄ ).
Fu (poetry)
Fu (), often translated "rhapsody" or "poetic exposition", is a form of Chinese rhymed prose that was the dominant literary form in China during the Han dynasty (206 - AD 220). Fu are intermediary pieces between poetry and prose in which a place, object, feeling, or other subject is described and rhapsodized in exhaustive detail and from as many angles as possible. Fu distinguishing characteristics include alternating rhyme and prose, varying line length, close alliteration, onomatopoeia, loose parallelism, and extensive cataloging of their topics.
Terza rima
Terza rima (ˌtɛərtsə_ˈriːmə, also USˌtəːr-, ˈtɛrtsa ˈriːma; third rhyme) is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows (aba bcb cdc). The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet (yzy z or yzy zz).
Georgics
The Georgics (ˈdʒɔrdʒɪks ; Georgica ɡeˈoːrɡɪka) is a poem by Latin poet Virgil, likely published in 29 BCE. As the name suggests (from the Greek word γεωργικά, geōrgiká, i.e. "agricultural (things)") the subject of the poem is agriculture; but far from being an example of peaceful rural poetry, it is a work characterized by tensions in both theme and purpose. The Georgics is considered Virgil's second major work, following his Eclogues and preceding the Aeneid.
Rondeau (forme fixe)
A rondeau (ʁɔ̃do; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of verse with a refrain. The rondeau is believed to have originated in dance songs involving singing of the refrain by a group alternating with the other lines by a soloist.
Poetry slam
A poetry slam is a competitive art event in which poets perform spoken word poetry before a live audience and a panel of judges. While formats can vary, slams are often loud and lively, with audience participation, cheering and dramatic delivery. Hip-hop music and urban culture are strong influences, and backgrounds of participants tend to be diverse. Poetry slams began in Chicago in 1984, with the first slam competition designed to move poetry recitals from academia to a popular audience.