Concept
Piano
Related concepts (39)
Rhapsody in Blue
Rhapsody in Blue is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring.
Stretched tuning
Stretched tuning is a detail of musical tuning, applied to wire-stringed musical instruments, older, non-digital electric pianos (such as the Fender Rhodes piano and Wurlitzer electric piano), and some sample-based synthesizers based on these instruments, to accommodate the natural inharmonicity of their vibrating elements. In stretched tuning, two notes an octave apart, whose fundamental frequencies theoretically have an exact 2:1 ratio, are tuned slightly farther apart (a stretched octave).
Piano acoustics
Piano acoustics is the set of physical properties of the piano that affect its sound. It is an area of study within musical acoustics. The strings of a piano vary in thickness, and therefore in mass per length, with bass strings thicker than treble. A typical range is from , string size 13) for the highest treble strings to for the lowest bass. These differences in string thickness follow from well-understood acoustic properties of strings.
Electronic piano
An electronic piano is a keyboard instrument designed to simulate the timbre of a piano (and sometimes a harpsichord or an organ) using analog circuitry. "Electronic Piano" was also the trade name used for Wurlitzer's popular line of electric pianos, which were produced from the 1950s to the 1980s, although this was not actually what is now commonly known as an electronic piano. Electronic pianos work similarly to analog synthesizers in that they generate their tones through oscillators, whereas electric pianos are mechanical, their sound being electrified by a pickup and then amplified through an internal or external amplifier.
Billy Joel
William Martin Joel (born May 9, 1949) is an American singer, pianist, and songwriter. Commonly nicknamed the "Piano Man" after his signature 1973 song of the same name, Joel has had a successful music career as a solo artist since the 1970s. From 1971 to 1993, he released twelve studio albums that spanned the genres of pop and rock music, and in 2001 released a one-off studio album of classical music compositions. Joel is one of the world’s best-selling music artists; and the fourth-best-selling solo artist in the United States, with over 160 million records sold worldwide.
Modal jazz
Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece. Although precedents exist, modal jazz was crystallized as a theory by composer George Russell in his 1953 book Lydian Chromatic Concept of Tonal Organization. Though exerting influence to the present, modal jazz was most popular in the 1950s and 1960s, as evidenced by the success of Miles Davis's 1958 composition "Milestones" and 1959 album Kind of Blue, and John Coltrane's quartet from 1960 to 1965; both artists were directly inspired by Russell.
Prepared piano
A prepared piano is a piano that has had its sounds temporarily altered by placing bolts, screws, mutes, rubber erasers, and/or other objects on or between the strings. Its invention is usually traced to John Cage's dance music for Bacchanale (c. 1938), created without room for a percussion orchestra. Cage has cited Henry Cowell as an inspiration for developing piano extended techniques, involving strings within a piano being manipulated instead of the keyboard.
Sympathetic resonance
Sympathetic resonance or sympathetic vibration is a harmonic phenomenon wherein a passive string or vibratory body responds to external vibrations to which it has a harmonic likeness. The classic example is demonstrated with two similarly-tuned tuning forks. When one fork is struck and held near the other, vibrations are induced in the unstruck fork, even though there is no physical contact between them. In similar fashion, strings will respond to the vibrations of a tuning fork when sufficient harmonic relations exist between them.
Musical temperament
In musical tuning, a temperament is a tuning system that slightly compromises the pure intervals of just intonation to meet other requirements. Most modern Western musical instruments are tuned in the equal temperament system. Tempering is the process of altering the size of an interval by making it narrower or wider than pure. "Any plan that describes the adjustments to the sizes of some or all of the twelve fifth intervals in the circle of fifths so that they accommodate pure octaves and produce certain sizes of major thirds is called a temperament.