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Concept
Rise and Fall of the City of Mahagonny
Summary
Rise and Fall of the City of Mahagonny (Aufstieg und Fall der Stadt Mahagonny) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the Neues Theater in Leipzig.
Some interpreters have viewed the play as a critique of American society. Others have perceived it as a critique of the chaotic and immoral Weimar Republic, particularly Berlin of the 1920s with its rampant prostitution, unstable government, political corruption, and economic crises.
Weill was asked by the 1927 Baden-Baden music festival committee to write a one-act chamber opera for the festival. He ended up writing Mahagonny-Songspiel, sometimes known as Das kleine Mahagonny, a concert work commissioned for voices and a small orchestra. The work was written in May 1927, and performed in June. It consisted of eleven numbers, including "Alabama Song" and "Benares Song".
Weill then continued to rework the material into a full opera while Brecht worked on the libretto. The opera had its premiere in Leipzig on 9 March 1930 and played in Berlin in December of the following year. The opera was banned by the Nazis in 1933 and did not have a significant production until the 1960s.
Weill's score uses a number of styles, including rag-time, jazz and formal counterpoint. The "Alabama Song" has been interpreted by a range of artists, notably Ute Lemper, The Doors and David Bowie.
The lyrics for the "Alabama Song" and another song, the "Benares Song", are in English (albeit specifically idiosyncratic English) and are performed in that language even when the opera is performed in its original (German) language.
A few lines of the briefly interpolated song, "Asleep in the Deep" (1897), lyrics by Arthur J. Lamb, music by H. W. Petrie, referred to in the opera by its opening words, "Stürmisch die Nacht " or "Stormy the Deep", are sung in the German version of the song, composed on verses of Martell, under the title "Des Seemanns Los" (The Sailor's Fate), when the opera is sung in the original German.
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