Concept

Gaziel

Summary
Agustí Calvet Pascual (əɣusˈti kəlˈβɛt; Sant Feliu de Guíxols; October 7, 1887 – Barcelona; April 12, 1964), known as Gaziel (ɡəziˈɛl), was a Spanish journalist, writer and publisher. He studied humanities in Barcelona and in Madrid, where he earned his doctorate. His doctoral thesis was on Anselm Turmeda, and was published in 1914 as Fray Anselmo de Turmeda. Heterodoxo español 1352-1423-32?. He then went to Paris to further his studies and, at the outbreak of the First World War, he acted as war correspondent for La Vanguardia, the most influential newspaper in Barcelona, with such a success that very shortly most of his articles were brought together and published in four successive books: Diario de un estudiante en París (Diary of a student in Paris) (1916), Narraciones de tierras heroicas (Tales of heroic lands) (1916), De París a Monastir (From Paris to Monastir) (1917) and En las líneas de fuego (In the fire lines) (1917); and he became a full-time journalist. It was then when he began to use Gaziel as pseudonym. He had married a French lady in 1914. After the proclamation of the Second Spanish Republic in 1931, he showed himself as a firm pro-republican, but after 1934 he became increasingly disappointed and anxious over the social and political atmosphere in Spain. In those years preceding the Spanish civil war Gaziel was appointed editor in chief of La Vanguardia, and he was widely seen as the most incisive political analyst in Spain. At the beginning of the war, in July 1936, he had to flee to France, as his life was in risk due to the political repression led by anarchist and Communist militias, while his home in Barcelona, including his valuable personal library, was sacked. He was in Brussels when the German invasion in 1940 forced him to return to Spain, where he was received with undisguised hostility by the new Francoist authorities, despite having been the cultural attaché of their Embassy in Belgium and having signed in 1937 a manifesto -promoted by Francesc Cambó- in support of the nationalist side in the Civil War; while Carlos Godó, the owner of La Vanguardia, prevented him from returning to his position in the newspaper.
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