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Concept
Adolf Endler
Summary
Adolf Endler (20 September 1930 – 2 August 2009) was a lyric poet, essayist and prose author who played a central role in subcultural activities that attacked and challenged an outdated model of socialist realism in the German Democratic Republic up until the collapse of communism in the early 1990s. Endler drew attention to himself as the "father of the oppositional literary scene" at Prenzlauer Berg in the eastern part of Berlin. In 2005 he was made a member of the Deutsche Akademie für Sprache und Dichtung in Darmstadt.
A communist as a young man, Endler moved to East Germany in 1955 and studied at the Johannes R. Becher Institute of Literature in Leipzig from 1955–57. An acclaimed poet, he was well respected in the East and West, but at the same time was marginalized and degraded by party functionaries who controlled the fields of cultural practice, conspired to guard their concepts of aesthetics, and went as far as to extend their influence into the writer's private life.
Even though socialist realism had spread over most of Eastern European cultural life, it was successfully undermined by writers and artists like Endler. His defiance involved ignoring orders from cultural politicians and finding alternative ways of communicating with peers. In 1978 he coined the term Sächsische Dichterschule to describe the group of German writers who were born in the 1930s and were influential in the areas of poetry, such as, Karl Mickel, Heinz Czechowski, Sarah Kirsch and Volker Braun. This sentiment is shared by Michael Hamburger, who, before the group had been named, applauded those that they had been creative in an artistically hostile environment. Hamburger recorded the traffic of correspondence between individual poets -a secret project that held the young writers together in a state that promoted the exact opposite, i.e. the isolation of individual deviants. His colleague in exile, the Austrian Erich Fried (Fried and Hamburger went into exile in Great Britain during Hitler's Third Reich), documented some of this writing for the BBC in his review of the anthology In diesem besseren Land (1966).
Official source
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