Surrealist automatismSurrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. Early 20th-century Dadaists, such as Hans Arp, made some use of this method through chance operations. Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton and Philippe Soupault who composed with it Les Champs Magnétiques (The Magnetic Fields) in 1919.
Iberian sculptureIberian sculpture, a subset of Iberian art, describes the various sculptural styles developed by the Iberians from the Bronze Age up to the Roman conquest. For this reason it is sometimes described as Pre-Roman Iberian sculpture. Almost all extant works of Iberian sculpture visibly reflect Greek and Phoenician influences, and Assyrian, Hittite and Egyptian influences from which those derived (specially the Phoenician one); yet they have their own unique character.
Musée National d'Art ModerneThe Musée National d'Art Moderne (myze nɑsjɔnal daʁ mɔdɛʁn; "National Museum of Modern Art") is the national museum for modern art of France. It is located in Paris and is housed in the Centre Pompidou in the 4th arrondissement of the city. In 2021 it ranked 10th in the list of most visited art museums in the world, with 1,501,040 visitors. It is one of the largest museums for modern and contemporary art.
African artAfrican art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as: African-American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa.
Valori plasticiValori plastici (Italian: Plastic Values) was an Italian magazine published in Rome in Italian and French. The magazines existed between 1918 and 1922. Valori plastici was established in Rome by the painter and art collector Mario Broglio and his wife Edita Broglio in 1918. He also edited the magazine which focused on aesthetic ideals and metaphysical artwork. It supported the art movement Return to order so as to create a change of direction from the extreme avant-garde art of the years up to 1918, taking its inspiration from traditional art instead.
Max BeckmannMax Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (Neue Sachlichkeit), an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works.
