Concept
Renku
Related concepts (8)
Hokku
is the opening stanza of a Japanese orthodox collaborative linked poem, renga, or of its later derivative, renku (haikai no renga). From the time of Matsuo Bashō (1644–1694), the hokku began to appear as an independent poem, and was also incorporated in haibun (in combination with prose). In the late 19th century, Masaoka Shiki (1867–1902) renamed the standalone hokku as "haiku", and the latter term is now generally applied retrospectively to all hokku appearing independently of renku or renga, irrespective of when they were written.
Senryū
is a Japanese form of short poetry similar to haiku in construction: three lines with 17 (or , often translated as syllables, but see the article on for distinctions). tend to be about human foibles while haiku tend to be about nature, and are often cynical or darkly humorous while haiku are more serious. Unlike haiku, do not include a (cutting word), and do not generally include a , or season word. is named after Edo period poet Karai Senryū, whose collection 誹風柳多留 launched the genre into the public consciousness.
Haikai
Haikai (Japanese 俳諧 comic, unorthodox) may refer in both Japanese and English to haikai no renga (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of [Matsuo] Bashō (1644–1694) the tone of haikai no renga became more serious".
Renga
Renga (連歌, linked poem) is a genre of Japanese collaborative poetry in which alternating stanzas, or ku (句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as tsukuba no michi (筑波の道 The Way of Tsukuba) after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres haikai (俳諧) and haiku (俳句).
Kireji
are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga). There is no exact equivalent of kireji in English, and its function can be difficult to define. It is said to supply structural support to the verse. When placed at the end of a verse, it provides a dignified ending, concluding the verse with a heightened sense of closure.
Waka (poetry)
Waka is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌 (see Wa, an old name for Japan), and a variant name is yamato-uta. The word waka has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as chōka and sedōka (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre.
Kigo
A kigo is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression. Although the term kigo was coined as late as 1908, representation of, and reference to, the seasons has long been important in Japanese culture and poetry.
Haiku
Haiku is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 phonetic units (called on in Japanese, which are similar to syllables) in a 5, 7, 5 pattern; that include a kireji, or "cutting word"; and a kigo, or seasonal reference. Similar poems that do not adhere to these rules are generally classified as senryū. Haiku originated as an opening part of a larger Japanese poem called renga.