Concept
The Lesser Key of Solomon
Related concepts (8)
Evocation
Evocation is the act of evoking, calling upon, or summoning a spirit, demon, deity or other supernatural agents, in the Western mystery tradition. Conjuration also refers to a summoning, often by the use of a magical spell. The conjuration of the ghosts or spirits of the dead for the purpose of divination is called necromancy. Comparable practices exist in many religions and magical traditions and may employ the use of mind-altering substances with and without uttered word formulas.
Renaissance magic
Renaissance magic was a resurgence in Hermeticism and Neo-Platonic varieties of the magical arts which arose along with Renaissance humanism in the 15th and 16th centuries CE. These magical arts (called artes magicae) were divided into seven types. There was great uncertainty in distinguishing practices of superstition, occultism, and perfectly sound scholarly knowledge or pious ritual. The intellectual and spiritual tensions erupted in the Early Modern witch craze, further reinforced by the turmoil of the Protestant Reformation, especially in Germany, England, and Scotland.
Asmodeus
Asmodeus (ˌæzməˈdiːəs; Ἀσμοδαῖος, Asmodaios) or Ashmedai (ˈæʃmᵻˌdaɪ; אַשְמְדּאָי, ʾAšmədʾāy; see below for other variations) is a prince of demons and hell. In Judeo-Islamic lore he is the king of both daemons (jinn/shedim) and demons (divs). Asmodeus is mostly known from the deuterocanonical Book of Tobit, in which he is the primary antagonist, or the Ars Goetia. In Peter Binsfeld's classification of demons, Asmodeus represents lust. The demon is also mentioned in some Talmudic legends; for instance, in the story of the construction of the Temple of Solomon.
Ceremonial magic
Ceremonial magic (ritual magic, high magic or learned magic) encompasses a wide variety of rituals of magic. The works included are characterized by ceremony and numerous requisite accessories to aid the practitioner. It can be seen as an extension of ritual magic, and in most cases synonymous with it. Popularized by the Hermetic Order of the Golden Dawn, it draws on such schools of philosophical and occult thought as Hermetic Qabalah, Enochian magic, Thelema, and the magic of various grimoires.
Grimoire
A grimoire (ɡrɪmˈwɑr ) (also known as a "book of spells", "magic book", or a "spellbook") is a textbook of magic, typically including instructions on how to create magical objects like talismans and amulets, how to perform magical spells, charms, and divination, and how to summon or invoke supernatural entities such as angels, spirits, deities, and demons. In many cases, the books themselves are believed to be imbued with magical powers, although in many cultures, other sacred texts that are not grimoires (such as the Bible) have been believed to have supernatural properties intrinsically.
Hermeticism
Hermeticism or Hermetism is a philosophical and religious system based on the purported teachings of Hermes Trismegistus (a Hellenistic conflation of the Greek god Hermes and the Egyptian god Thoth). These teachings are contained in the various writings attributed to Hermes (the Hermetica), which were produced over a period spanning many centuries (300 BCE – 1200 CE) and may be very different in content and scope.
Demon
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, and television series. Belief in demons probably goes back to the Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific.
Witchcraft
Witchcraft has a wide range of meanings in anthropological, folkloric, mythological, and religious contexts. Historically and traditionally, the term "witchcraft" has meant the use of magic or supernatural powers to cause harm and misfortune to others. A witch (from Old English wicce f. / wicca m.) is a practitioner of witchcraft. According to Encyclopedia Britannica, "Witchcraft thus defined exists more in the imagination of contemporaries than in any objective reality.