Concept
Rhythm
Related concepts (41)
Repetition (music)
Repetition is important in music, where sounds or sequences are often repeated. It may be called restatement, such as the restatement of a theme. While it plays a role in all music, with noise and musical tones lying along a spectrum from irregular to periodic sounds, it is especially prominent in specific styles. A literal repetition of a musical passage is often indicated by the use of a repeat sign, or the instructions da capo or dal segno. Repetition is a part and parcel of symmetry—and of establishing motifs and hooks.
Half-time (music)
In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially doubling the tempo resolution or metric division/level in comparison to common-time. Thus, two measures of approximate a single measure of , while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with alla breve or odd time. Though notes usually get the same value relative to the tempo, the way the beats are divided is altered.
Focus (linguistics)
In linguistics, focus (abbreviated ) is a grammatical category that conveys which part of the sentence contributes new, non-derivable, or contrastive information. In the English sentence "Mary only insulted BILL", focus is expressed prosodically by a pitch accent on "Bill" which identifies him as the only person Mary insulted. By contrast, in the sentence "Mary only INSULTED Bill", the verb "insult" is focused and thus expresses that Mary performed no other actions towards Bill.
Stanza
In poetry, a stanza (ˈstænzə; from Italian stanza ˈstantsa, "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different . Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas.
Tango music
Tango is a style of music in or time that originated among European and African immigrant populations of Argentina and Uruguay (collectively, the "Rioplatenses"). It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the orquesta típica, which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world.
Anacrusis
In poetic and musical meter, and by analogy in publishing, an anacrusis (from ἀνάκρουσις, anákrousis, literally: 'pushing up', plural anacruses) is a brief introduction (distinct from a literary or musical introduction, foreword, or preface). It is a set of syllables or notes, or a single syllable or note, which precedes what is considered the first foot of a poetic line (or the first syllable of the first foot) in poetry and the first beat (or the first beat of the first measure) in music that is not its own phrase, section, or line and is not considered part of the line, phrase, or section which came before, if any.
Prosodic unit
In linguistics, a prosodic unit is a segment of speech that occurs with specific prosodic properties. These properties can be those of stress, intonation (a single pitch and rhythm contour), or tonal patterns. Prosodic units occur at a hierarchy of levels, from the syllable, the metrical foot and phonological word to the intonational unit (IU) and to a complete utterance. However, the term is often restricted to intermediate levels which do not have a dedicated terminology.
Duple and quadruple metre
Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a primary division of 2 beats to the bar, usually indicated by 2 and multiples (simple) or 6 and multiples (compound) in the upper figure of the time signature, with (cut time), , and (at a fast tempo) being the most common examples. Shown below are a simple and a compound duple drum pattern. \new Staff < \new voice \relative c' { \clef percussion \numericTimeSignature \time 2/4 \set Score.
Hook (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music. One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered.
Tresillo (rhythm)
Tresillo (trɛˈsiːjoʊ ; tɾeˈsiʎo) is a rhythmic pattern (shown below) used in Latin American music. It is a more basic form of the rhythmic figure known as the habanera. \new RhythmicStaff { \clef percussion \time 2/4 \repeat volta 2 { c8. c16 r8[ c] } } Tresillo is the most fundamental duple-pulse rhythmic cell in Cuban and other Latin American music. It was introduced in the New World through the Atlantic slave trade during the Colonial period. The pattern is also the most fundamental and most prevalent duple-pulse rhythmic cell in Sub-Saharan African music traditions.