Concept

Dixieland jazz

Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. The Original Dixieland Jass Band, recording its first disc in 1917, was the first instance of jazz music being called "Dixieland", though at the time, the term referred to the band, not the genre. The band's sound was a combination of African American/New Orleans ragtime and Sicilian music. The music of Sicily was one of the many genres in the New Orleans music scene during the 1910s, alongside sanctified church music, brass band music and blues. Much later, the term "Dixieland" was applied to early jazz by traditional jazz revivalists, starting in the 1940s and 1950s. In his book "Jazz" the critic Rex Harris defined Dixieland as "Jazz played in a quasi-New Orleans manner by white musicians." The name is a reference to the "Old South", specifically anything south of the Mason-Dixon line. The term encompasses earlier brass band marches, French Quadrilles, biguine, ragtime, and blues with collective, polyphonic improvisation. While instrumentation and size of bands can be very flexible, the "standard" band consists of a "front line" of trumpet (or cornet), trombone, and clarinet, with a "rhythm section" of at least two of the following instruments: guitar or banjo, string bass or tuba, piano, and drums. Louis Armstrong's All-Stars was the band most popularly identified with Dixieland during the 1940s, although Armstrong's own influence during the 1920s was to move the music beyond the traditional New Orleans style. The definitive Dixieland sound is created when one instrument (usually the trumpet) plays the melody or a recognizable paraphrase or variation on it, and the other instruments of the "front line" improvise around that melody.

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