Social class

Summary

A social class or social stratum is a grouping of people into a set of hierarchical social categories, the most common being the upper, middle and lower classes. Membership in a social class can for example be dependent on education, wealth, occupation, income, and belonging to a particular subculture or social network. "Class" is a subject of analysis for sociologists, political scientists, anthropologists and social historians. The term has a wide range of sometimes conflicting meanings, and there is no broad consensus on a definition of "class". Some people argue that due to social mobility, class boundaries do not exist. In common parlance, the term "social class" is usually synonymous with "socio-economic class", defined as "people having the same social, economic, cultural, political or educational status", e.g., "the working class"; "an emerging professional class". However, academics distinguish social class from socioeconomic status, using the former to refer to one's relat

Official source

https://en.wikipedia.org/wiki/Social_class

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L'oeuvre de Leandro V. Locsin (1928-1994), architecte à la recherche de l'identité élusive de l'architecture philippine du second après-guerre

Jean-Claude Girard

Filipino architect Leandro Valencia Locsin (Silay1928 - Makati 1994) produced an architectural work that involved 250 projects, of which at least more than half were completed and mostly in his country of origin. A graduate in architecture of San Tomas de Manila University in 1953, his career began after the Second World War, which left the capital city all but destroyed following airstrikes by the allies that served to liberate the Philippines from the Japanese occupying forces. Following his studies, Locsin is immediately solicited with requests which leads him to open his office and give up the idea of completing his graduate studies in one of the prestigious American universities, which at the time had welcomed great masters who had sought exile from Europe to the United States in the 1930s. For a member of a privileged social class, this atypical career path makes Locsin a singular figure in the architectural landscape as he will immediately focus his interest on questioning the specificity of Filipino architecture. In a 1989 interview, Locsin confirms his career-long interest in researching the boundaries between local culture and international influences. The study of the vernacular tradition in his country will orient his work towards defining certain architectural principles to allow for the emergence of a new contemporary Filipino architecture. The post-war period, involving innovations in technical resources and favorable political and economic conditions for urban development, will serve to render all the more complex a body of work that is difficult to apprehend and qualify. In a 1964 text, Locsin refers to the elusive identity of the Filipino architectural spirit which, according to him, is the result of an assimilation of various external influences, given the geographic positioning of the Philippines and its colonial past. His work never ceased to reflect this quest for identity in built representations. While Leandro V. Locsin has been called "the poet of space" for the quality of his projects characterized by a great attention given to the sense of space, abstraction, symmetry, proportion, and materiality linked to the use of concrete and traditional materials his work has never been the subject of a complete study. Few scientific contributions exist and remain partial, in that they focus on certain specificities of his production. Further, there are no studies that offer a complete review of his office archives, a necessary step towards uncovering and highlighting the unique characteristics of a multiform production. The objective of this dissertation is to provide a complete overview of the work of Leandro V. Locsin, notably through a survey of his projects, and an analysis of the condition of their production in a local and international context, in order to render explicit the specific qualities that make this work a unique example of architecture of the period and from the Philippines.

EPFL2018

Coming Together in the So-Called Refugee Crisis A Collaboration Among Refugee Newcomers, Migrants, Activists and Anthropologists in Berlin

Johanna Susette Gonçalves Martin

In 2015, Germany entered what would later become known as the 'refugee crisis'. The Willkommenskultur (welcoming culture) trope gained political prominence and met with signifi cant challenges. In this article, we focus on a series of encounters in Berlin, bringing together refugee newcomers, migrants, activists and anthropologists. As we thought and wrote together about shared experiences, we discovered the limitations of the normative assumptions of refugee work. One aim of this article is to destabilise terms such as refugee, refugee work, success and failure with our engagements in the aftermath of the 'crisis'. Refugee work is not exclusively humanitarian aid directed towards the alleviation of suffering but includes being and doing together. Through productive failures and emergent lessons, the collaboration enhanced our understandings of social categories and the role of anthropology.

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An intriguing question in the field of stress is what makes an individual more likely to be susceptible or resilient to stress‐induced depression. Predisposition to stress susceptibility is believed to be influenced by genetic factors and early adversity. However, beyond genetics and life experiences, recent evidence has highlighted social rank as a key determinant of susceptibility to stress, underscoring dominant individuals as the vulnerable ones. This evidence is in conflict with epidemiological, clinical, and animal work pointing at a link between social subordination and depression. Here, we review and analyze rodent protocols addressing the relevance of social rank to predict vulnerability to chronic social stress. We also discuss whether a specific social status (i.e., dominance or subordination) is the appropriate predictor of vulnerability to develop stress‐induced depression or rather, the loss of social rank and resources.

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L'oeuvre de Leandro V. Locsin (1928-1994), architecte à la recherche de l'identité élusive de l'architecture philippine du second après-guerre

Jean-Claude Girard

EPFL2018