In geometry, a Cairo pentagonal tiling is a tessellation of the Euclidean plane by congruent convex pentagons, formed by overlaying two tessellations of the plane by hexagons and named for its use as a paving design in Cairo. It is also called MacMahon's net after Percy Alexander MacMahon, who depicted it in his 1921 publication New Mathematical Pastimes. John Horton Conway called it a 4-fold pentille.
Infinitely many different pentagons can form this pattern, belonging to two of the 15 families of convex pentagons that can tile the plane. Their tilings have varying symmetries; all are face-symmetric. One particular form of the tiling, dual to the snub square tiling, has tiles with the minimum possible perimeter among all pentagonal tilings. Another, overlaying two flattened tilings by regular hexagons, is the form used in Cairo and has the property that every edge is collinear with infinitely many other edges.
In architecture, beyond Cairo, the Cairo tiling has been used in Mughal architecture in 18th-century India, in the early 20th-century Laeiszhalle in Germany, and in many modern buildings and installations. It has also been studied as a crystal structure and appears in the art of M. C. Escher.
The union of all edges of a Cairo tiling is the same as the union of two tilings of the plane by hexagons. Each hexagon of one tiling surrounds two vertices of the other tiling, and is divided by the hexagons of the other tiling into four of the pentagons in the Cairo tiling. Infinitely many different pentagons can form Cairo tilings, all with the same pattern of adjacencies between tiles and with the same decomposition into hexagons, but with varying edge lengths, angles, and symmetries. The pentagons that form these tilings can be grouped into two different infinite families, drawn from the 15 families of convex pentagons that can tile the plane, and the five families of pentagon found by Karl Reinhardt in 1918 that can tile the plane isohedrally (all tiles symmetric to each other).