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Hideaki Anno
Summary
is a Japanese animator, filmmaker and actor. His most celebrated creation, the Evangelion franchise, has had a significant influence on the anime television industry and Japanese popular culture, with many deeming Anno as one of the medium's first auteurs. Anno's style is defined by his postmodernist approach and the extensive portrayal of characters' thoughts and emotions, often through unconventional scenes presenting the mental deconstruction of those characters.
Anno's other directorial works include Daicon Film's Return of Ultraman (1983), Gunbuster (1988), Nadia: The Secret of Blue Water (1990), Kare Kano (1998), Love & Pop (1998), Shiki-Jitsu (2000), Cutie Honey (2004), Re: Cutie Honey (2004), Rebuild of Evangelion (2007–2021), and Shin Godzilla (2016). The latter film marking the beginning of the Shin trilogy of tokusatsu franchise reboots, followed by Shin Ultraman (2022) and Shin Kamen Rider (2023). Several of Anno's anime have won the Anime Grand Prix award, including Nadia: The Secret of Blue Water in 1990, Neon Genesis Evangelion in 1995 and 1996, and The End of Evangelion in 1997.
The son of Fumiko and Takuya Anno, Anno was born in Ube, Yamaguchi; he attended Wakō Kindergarten, Unoshima Municipal Elementary School, Fujiyama Municipal Junior High School, and Yamaguchi Prefectural Ube High School where he was noted for his interest in artwork and making short films for Japanese Cultural Festivals.
Anno began his career while attending Osaka University of Arts as an animator for the anime series The Super Dimension Fortress Macross (1982–1983). Wrapped up in producing the DAICON III and IV Opening Animations with his fellow students, and also busy making self-financed films, Anno stopped paying his tuition, eventually getting expelled from Osaka University of Arts. He did not gain recognition until the release of his work on Hayao Miyazaki's 1984 film Nausicaä of the Valley of the Wind. Running short on animators, the film's production studio posted an ad in the famous Japanese animation magazine , announcing that they were in desperate need of more animators.
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