In Japanese mythology, the Seven Lucky gods or Seven gods of Fortune (七福神, shichifukujin in Japanese) are believed to grant good luck and are often represented in netsuke and in artworks. One of the seven (Jurōjin) is said to be based on a historical figure. They all began as remote and impersonal gods, but gradually became much closer canonical figures for certain professions and Japanese arts. During the course of their history, the mutual influence between gods has created confusion about which of them was the patron of certain professions. The worship of this group of gods is also due to the importance of the number seven in Japan, supposedly a signifier of good luck. It is known that these deities mostly have their origins as ancient gods of fortune from religions popular in Japan: from Mahayana Buddhism (Benzaiten, Bishamonten, Daikokuten) which came to Japan from China but originated in India, and from Chinese Taoism (Fukurokuju, Hotei, Jurojin); except for one (Ebisu) who has a native Japanese ancestry. These gods have been recognized as such for over a thousand years. In the beginning, these gods were worshiped by merchants as the first two (Ebisu and Daikokuten) were gods of business and trade. Subsequently, the other classes of Japanese society looked for other gods that could correspond with their professions: Benzaiten as the patron of the arts, Fukurokuju as the patron of the sciences, and so on. In ancient times, these gods were worshipped separately, but this rarely happens today – only when it is required for the god to act on behalf of the applicant. The Seven Gods of Fortune started being mentioned as a collective in the year 1420 in Fushimi, in order to imitate the processions of the daimyōs, the feudal lords of pre-modern Japan. It is said that the Buddhist priest Tenkai selected these gods after speaking with the shōgun he served, Iemitsu Tokugawa, at the order of seeking whoever possessed the perfect virtues: longevity, fortune, popularity, sincerity, kindness, dignity, and magnanimity.