The Welsh dance (Dawns Gymreig), also known as the Welsh folk dance (Dawnsio gwerin), is a traditional dance in Wales, performed to Welsh traditional music and while usually wearing a traditional Welsh costume.
John Playford collected records of dances and music during the 17th century with Welsh associations and as such were considered a part of the Welsh tradition.
Williams Jones corresponded with the Gwyneddigion Society, and with other contemporary men of letters, and began collecting and recording local folk songs and country dances for Edward Jones (Bardd y Brenin), the King's Bard. Jones spent much time conversing with the elderly members of the community as well as researching manuscripts and printed collections which provided Edward Jones with valuable material for his printed volumes. He describes many of the dances as having "sharp twists and turns rendering them fiendishly difficult to perform well", and stated that they were probably "too fatiguing for the bodies and minds of the present generation, and requiring much skill and activity in the performance".
Catherine Margretta Thomas was born in 1880 in the village of Nantgarw. Her parents were Daniel and Hannah Davies. As a child she enjoyed watching the local dances as they were performed in an open space below Twyn Chapel in Caerphilly and at Nantgarw and Y Groes Wen. Due to the hostility of the local churches to folk dancing, Catherine Margretta Thomas' own mother was not keen on her daughter going to see these dances, but Catherine was able to convince her father to take her along to witness the displays. The rise of Nonconformism in Wales meant that by the time Catherine Margretta Thomas was in her teens folk dancing had practically been eradicated in Nantgarw.
Welsh Folk Dance Society
Dancing had died hard if inconsistently by 1911 when Catherine Margretta Thomas' daughter, Ceinwen Thomas (later Dr. Ceinwen Thomas), was born. But the influence of Nonconformism waned and by the time Ceinwen Thomas was attending school she was discussing the tradition of dancing in Nantgarw with her mother.
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Morris dancing is a form of English folk dance. It is based on rhythmic stepping and the execution of choreographed figures by a group of dancers, usually wearing bell pads on their shins. Implements such as sticks, swords and handkerchiefs may also be wielded by the dancers. In a small number of dances for one or two people, steps are near and across a pair of clay tobacco pipes laid one across the other on the floor. They clap their sticks, swords, or handkerchiefs together to match with the dance.