Classical sculpture

Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style. The main subject of Ancient Greek sculpture from its earliest days was the human figure, usually male and nude (or nearly so). Apart from the heads of portrait sculptures, the bodies were highly idealized but achieved an unprecedented degree of naturalism. In addition to free standing statues, the term classical sculpture incorporates relief work (such as the famous Elgin Marbles of the Parthenon) and the flatter bas-relief style. Whereas sculptural works emphasized the human form, reliefs were employed to create elaborate decorative scenes. Although making large or monumental sculptures almost ceased in the Early Middle Ages and in Byzantine art, it greatly revived in the Italian Renaissance as Roman examples were excavated, and classical sculpture remained a great influence until at least the 19th century. There are several periods: Ancient Greek sculpture The most important sculptural form of the Archaic period was the kouros (plural: kouroi), the standing male nude (See for example Biton and Kleobis). Reflecting Egyptian influence, the kouros stands upright with his left leg slightly forward and his arms at his sides. Although kouroi have been found in many ancient Greek territories, they were especially prominent in Attica and Boiotia. The preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta.