Concept

Kokin Wakashū

Related concepts (9)
Waka (poetry)
Waka is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌 (see Wa, an old name for Japan), and a variant name is yamato-uta. The word waka has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as chōka and sedōka (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre.
Fujiwara no Teika
, better-known as Fujiwara no Teika (1162 – September 26, 1241), was a Japanese anthologist, calligrapher, literary critic, novelist, poet, and scribe of the late Heian and early Kamakura periods. His influence was enormous, and he is counted as among the greatest of Japanese poets, and perhaps the greatest master of the waka form – an ancient poetic form consisting of five lines with a total of 31 syllables. Teika's critical ideas on composing poetry were extremely influential and studied until as late as the Meiji era.
Ono no Komachi
Ono no Komachi was a Japanese waka poet, one of the Rokkasen — the six best waka poets of the early Heian period. She was renowned for her unusual beauty, and Komachi is today a synonym for feminine beauty in Japan. She also counts among the Thirty-six Poetry Immortals. Almost nothing of Komachi's life is known for certain, save for the names of various men with whom she engaged in romantic affairs and whose poetry exchanges with her are preserved in the Kokin Wakashū.
Ariwara no Narihira
was a Japanese courtier and waka poet of the early Heian period. He was named one of both the Six Poetic Geniuses and the Thirty-Six Poetic Geniuses, and one of his poems was included in the Ogura Hyakunin Isshu collection. He is also known as Zai Go-Chūjō, Zai Go, Zai Chūjō or Mukashi-Otoko. There are 87 poems attributed to Narihira in court anthologies, though some attributions are dubious. Narihira's poems are exceptionally ambiguous; the compilers of the 10th-century Kokin Wakashū thus treated them to relatively long headnotes.
Renga
Renga (連歌, linked poem) is a genre of Japanese collaborative poetry in which alternating stanzas, or ku (句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as tsukuba no michi (筑波の道 The Way of Tsukuba) after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres haikai (俳諧) and haiku (俳句).
Japanese poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language p
Heian period
The Heian period is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). 平安 means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature.
Saigyō
was a famous Japanese poet of the late Heian and early Kamakura period. Born Satō Norikiyo in Kyoto to a noble family, he lived during the traumatic transition of power between the old court nobles and the new samurai warriors. After the start of the age of Mappō, Buddhism was considered to be in decline and no longer as effective a means of salvation. These cultural shifts during his lifetime led to a sense of melancholy in his poetry.
Japanese literature
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or Chinese writing, a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan. During the Heian period, Japan's original kokufū culture (national culture) developed and literature also established its own style, with the significant usage and development of kana to write Japanese literature.

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