Social dance

Social dances are dances that have a social functions and context. Social dances are intended for participation rather than performance. They are often danced merely to socialise and for entertainment, though they may have ceremonial, competitive and erotic functions. Many social dances of European origin are in recent centuries partner dances (see Ballroom dance) but this is quite rare elsewhere, where there may instead be circle dances or line dances, perhaps reserved for those of a certain age, gender or social position. The types of dance performed in social gatherings change with social values. Social dance music of the 14th century has been preserved in manuscript, though without proper choreography, for dances such as the ballo, carol, stampita, saltarello, trotto and roto. The 15th century is the first period from which written records of dances exist. A manuscript from Brussels highlights the Burgundian court dance, which spread all over Europe, referred to as the basse dance in which a large group perform a series of steps in triple time. Italian courts danced balli, with a wide array of choreographed rhythms, steps and positions for the dancers. These were documented in instruction books written by the dance masters who choreographed them for the courts. Social dances of lower classes were not recorded until the Late Renaissance. According to Richard Powers, courtiers in the late 16th century continually had to "prove themselves through their social skills, especially through dance." Recorded social dances of the late 16th century include the pavane and the Canary dance. Thoinot Arbeau's book Orchésographie describes peasant branles as well as the 16th century basse danse and la volta. The peasants from the countryside supplied new dances to the court as the old ones' novelty wore out. During the Baroque Era court balls served to display social status. A formal ball opened with a branle in which couples stood in a line in order of their place in the social hierarchy, the most highly regarded couples dancing first.

About this result

This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.

Related concepts (16)

Related lectures (1)

Assyrian folk dance

Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events. Assyrian folk dances are mainly made up of circle dances like ballet that are performed in a line, which may be straight, curved, or both. Most of the dances allow unlimited number of participants, with the exception of the Sabre Dance, which require three at most. Assyrian dances would vary from weak to strong, depending on the mood and tempo of a song.

Lindy Hop

The Lindy Hop is an American dance which was born in the Black communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.

Social dance

Designing Spaces: Movement and Architecture AR-488: Familiar horror-critical history of domestic space

Explores the relationship between movement and architecture, focusing on the collaboration between choreographers and designers.