Concept

Lucretius

Summary
Titus Lucretius Carus (ˈtaɪtəs_luːˈkriːʃəs , ˈtɪtʊz lʊˈkreːti.ʊs ˈkaːrʊs; 99 – 55 BC) was a Roman poet and philosopher. His only known work is the philosophical poem De rerum natura, a didactic work about the tenets and philosophy of Epicureanism, and which usually is translated into English as On the Nature of Things—and somewhat less often as On the Nature of the Universe. Lucretius has been credited with originating the concept of the three-age system that was formalised in 1836 by C. J. Thomsen. Very little is known about Lucretius's life; the only certainty is that he was either a friend or client of Gaius Memmius, to whom the poem was addressed and dedicated. De rerum natura was a considerable influence on the Augustan poets, particularly Virgil (in his Aeneid and Georgics, and to a lesser extent on the Eclogues) and Horace. The work was almost lost during the Middle Ages, but was rediscovered in 1417 in a monastery in Germany by Poggio Bracciolini and it played an important role both in the development of atomism (Lucretius was an important influence on Pierre Gassendi) and the efforts of various figures of the Enlightenment era to construct a new Christian humanism. Lucretius's scientific poem On the Nature of Things (c. 60 BC) has a remarkable description of Brownian motion of dust particles in verses 113–140 from Book II. He uses this as a proof of the existence of atoms. Virtually nothing is known about the life of Lucretius, and there is insufficient basis for a confident assertion of the dates of Lucretius's birth or death in other sources. Another, yet briefer, note is found in the Chronicon of Donatus's pupil, Jerome. Writing four centuries after Lucretius's death, he enters under the 171st Olympiad: "Titus Lucretius the poet is born." If Jerome is accurate about Lucretius's age (43) when Lucretius died (discussed below), then it may be concluded he was born in 99 or 98 BC. Less specific estimates place the birth of Lucretius in the 90s BC and his death in the 50s BC, in agreement with the poem's many allusions to the tumultuous state of political affairs in Rome and its civil strife.
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