Concept

Rayonism

Rayonism (or Rayism or Rayonnism) was a style of abstract art that developed in Russia in 1910–1914. Founded and named by Russian Cubo-Futurists Mikhail Larionov and Natalia Goncharova, it was one of Russia's first abstract art movements. In 1909, Italian poet F. T. Marinetti published the Founding Manifesto of Futurism. The Futurists took speed, technology and modernity as their inspiration, depicting the dynamic character of early 20th century life; examples of Italian Futurists are Umberto Boccioni and Giacomo Balla. Shortly after the movement started, Russian Futurism, Ego-Futurism and Cubo-Futurism began; in Russia, the movement was developed by painter David Burliuk, poets Aleksei Kruchyonykh, Vasily Kamensky and Vladimir Mayakovsky, and many others. Larionov and Goncharova were early followers of Russian Futurism. In 1910, the latter two people, together with many associates such as Aristarkh Lentulov and Ilya Mashkov, they founded the exhibiting society the Jack of Diamonds. However, in 1912, Goncharova and Larionov left, in protest at the group's reliance on French art, and organised their own rival exhibitions. It was then that Rayonism began, with a distinct vision of what abstract art was representative of. Larionov's approach to abstract painting was the idea that certain scientific principles, like radioactivity, ultraviolet light, and x-rays, were the foundation for the vision of what he wanted to create. Goncharova began to paint in the Rayonist style as early as 1909, but the Rayonist Manifesto by her and Larionov was written in 1912, and published the subsequent year. In the manifesto, Larionov expresses the following, "Long live the style of Rayonist painting created by us, free from realistic forms, existing and developing itself only according to its own pictorial laws." The Rayonists sought an art that floated beyond abstraction, outside time and space, and to break the barriers between the artist and the public. Rayonist paintings thus focused on the rays reflecting from the objects, and how the rays moved.

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