TablaA tabla is a pair of hand drums from the Indian subcontinent, that is somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.
Ancient veenaThe ancient veena is an early Indian arched harp, not to be confused with the modern Indian veena which is a type of lute or stick zither. Names of specific forms of the arched harp include the chitra vīṇā with seven strings, the vipanchi vīṇā with nine strings and the mattakokila vīṇā a harp or possibly board zither with 21 strings. The instrument is attested on a gold coin of the Gupta Empire from the mid-300s CE. The instrument was also illustrated in the oldest known Saraswati-like relief carvings, from Buddhist archaeological sites dated to 200 BCE, where she holds a harp-style veena.
Tala (music)article A tala (IAST tāla) literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions.
TyagarajaThyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Tyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Rama, many of which remain popular today, the most popular being "Nagumomu".
Carnatic musicCarnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India.
Indian classical musicIndian classical music is the classical music of the Indian subcontinent. It is generally described using terms like Marg Sangeet and Shastriya Sangeet. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms.
RagaA raga (, ɾäːɡ; also raaga or ragam or raag; coloring) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The rāga is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each rāga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience.
Hindustani classical musicHindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, shastriya sangeet. The term shastriya sangeet literally means classical music, and can also mean Indian classical music in general. It is played on instruments like the veena, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India.
Natya ShastraThe Nāṭya Śāstra (नाट्य शास्त्र, Nāṭyaśāstra) (నట్య శాస్త్ర, Nāṭyaśāstra) is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts.
HarpThe harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Mesopotamia, Persia (now Iraq and Iran) and Egypt, and later in India and China.
