Concept

Agnes de Mille

Agnes George de Mille (September 18, 1905 – October 7, 1993) was an American dancer and choreographer. Agnes de Mille was born in New York City into a well-connected family of theater professionals. Her father William C. deMille and her uncle Cecil B. DeMille were both Hollywood directors. Her mother, Anna Angela George, was the daughter of Henry George, the economist. On her father's side, Agnes was the granddaughter of playwrights Henry Churchill de Mille and Matilda Beatrice deMille. Her paternal grandmother was of German-Jewish descent. She had a love for acting and originally wanted to be an actress, but was told that she was "not pretty enough", so she turned her attention to dance. As a child, she had longed to dance, but dance at this time was considered more of an activity, rather than a viable career option, so her parents refused to allow her to dance. She did not seriously consider dancing as a career until after she graduated from college. When de Mille's younger sister was prescribed ballet classes to cure her flat feet, de Mille joined her. De Mille lacked flexibility and technique, though, and did not have a dancer's body. Classical ballet was the most widely known dance form at this time, and de Mille's apparent lack of ability limited her opportunities. She taught herself from watching film stars on the set with her father in Hollywood; these were more interesting for her to watch than perfectly turned out legs, and she developed strong character work and compelling performances. One of de Mille's early jobs, thanks to her father's connections, was choreographing Cecil B. DeMille's film Cleopatra (1934). DeMille's dance director LeRoy Prinz clashed with the younger de Mille. Her uncle always deferred to Prinz, even after agreeing to his niece's dances in advance, and Agnes de Mille left the film. De Mille graduated from UCLA with a degree in English where she was a member of Kappa Alpha Theta sorority, and in 1933 moved to London to study with Dame Marie Rambert, eventually joining Rambert's company, The Ballet Club, later Ballet Rambert, and Antony Tudor's London Ballet.

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