Concept
Classic of Poetry
Related concepts (13)
Chu Ci
The Chu ci, variously translated as Verses of Chu, Songs of Chu, or Elegies of Chu, is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period (ended 221 BC), and also a large number of works composed several centuries later, during the Han dynasty. The traditional version of the Chu ci contains 17 major sections, anthologized with its current contents by Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han.
Chinese poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language, and a part of the Chinese literature. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, Classical Chinese poetry and Modern Chinese poetry. Poetry is consistently held in high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literati.
Tian
Tiān (天) is one of the oldest Chinese terms for heaven and a key concept in Chinese mythology, philosophy, and religion. During the Shang dynasty (17th―11th century BCE), the Chinese referred to their supreme god as Shàngdì (上帝, "Lord on High") or Dì (帝, "Lord"). During the following Zhou dynasty, Tiān became synonymous with this figure. Before the 20th century, worship of Tiān was an orthodox state religion of China.
Fu (poetry)
Fu (), often translated "rhapsody" or "poetic exposition", is a form of Chinese rhymed prose that was the dominant literary form in China during the Han dynasty (206 - AD 220). Fu are intermediary pieces between poetry and prose in which a place, object, feeling, or other subject is described and rhapsodized in exhaustive detail and from as many angles as possible. Fu distinguishing characteristics include alternating rhyme and prose, varying line length, close alliteration, onomatopoeia, loose parallelism, and extensive cataloging of their topics.
Chinese literature
The history of the Chinese literature, some scholars prefer the term "Sinophone literature", extends thousands of years, from the earliest recorded dynastic court archives to the mature vernacular fiction novels that arose during the Ming dynasty to entertain the masses of literate Chinese. The introduction of widespread woodblock printing during the Tang dynasty (618–907) and the invention of movable type printing by Bi Sheng (990–1051) during the Song dynasty (960–1279) rapidly spread written knowledge throughout China.
Four Books and Five Classics
The Four Books and Five Classics () are the authoritative books of Confucianism, written in China before 300 BCE. The Four Books and the Five Classics are the most important classics of Chinese Confucianism. The Four Books () are Chinese classic texts illustrating the core value and belief systems in Confucianism. They were selected by intellectual Zhu Xi in the Song dynasty to serve as general introduction to Confucian thought, and they were, in the Ming and Qing dynasties, made the core of the official curriculum for the civil service examinations.
Shi (poetry)
Shi and shih are romanizations of the character /, the Chinese word for all poetry generally and across all languages. In Western analysis of the styles of Chinese poetry, shi is also used as a term of art for a specific poetic tradition, modeled after the Old Chinese works collected in the Confucian Classic of Poetry. This anthology included both aristocratic poems (the "Hymns" and "Eulogies") and more rustic works believed to have derived from Huaxia folk songs (the "Odes").
Book of Documents
The Book of Documents (Shūjīng 書經, earlier romanization Shu King) or Classic of History, also known as the Shangshu ( "Venerated Documents"), is one of the Five Classics of ancient Chinese literature. It is a collection of rhetorical prose attributed to figures of ancient China, and served as the foundation of Chinese political philosophy for over 2,000 years. The Book of Documents was the subject of one of China's oldest literary controversies, between proponents of different versions of the text.
Chinese art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years.
Legalism (Chinese philosophy)
Fajia, often termed Legalism, is one of six classical schools of thought in Chinese philosophy. Literally meaning (administrative) methods/standards (Fa; 法) "house" or "school" (Jia), the Fa "school" represents several branches of what Feng Youlan called "men of methods", in the West often termed "realist" statesmen, who played foundational roles in the construction of the bureaucratic Chinese empire. The earliest persona of the Fajia may be considered Guan Zhong (720–645 BCE), but Chinese historians commonly regard Li Kui (455–395 BCE) as the first or "founding" "Legalist" philosopher.