Concept
Baroque
Related concepts (45)
Vanitas
Vanitas (Latin for 'vanity') is a genre of art which uses symbolism to show the transience of life, the futility of pleasure, and the certainty of death. The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. The word vanitas comes from Latin and means vanity. Vanity is referenced in the Bible's Old Testament in Ecclesiastes 12:8, "Vanity of Vanities, saith the preacher, all is vanity".
Toledo Cathedral
The Primatial Cathedral of Saint Mary of Toledo (Catedral Primada Santa María de Toledo), otherwise known as Toledo Cathedral, is a Roman Catholic church in Toledo, Spain. It is the seat of the Metropolitan Archdiocese of Toledo. The cathedral of Toledo is one of the three 13th-century High Gothic cathedrals in Spain and is considered, in the opinion of some authorities, to be the magnum opus of the Gothic style in Spain.
French Baroque architecture
French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of facades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King.
Escutcheon (heraldry)
In heraldry, an escutcheon (ᵻˈskʌtʃən) is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era.
Aleijadinho
Antônio Francisco Lisboa (29 August 1730 or 1738 – 18 November 1814), better known as Aleijadinho (aleiʒaˈdʒiɲu, little cripple), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil. With a style related to Baroque and Rococo, Aleijadinho is considered almost by consensus as the greatest exponent of colonial art in Brazil by Brazilian critics and, surpassing Brazilian borders, for some foreign scholars he is the greatest name of Baroque in the Americas.