Fantastic

The fantastic (le fantastique) is a subgenre of literary works characterized by the ambiguous presentation of seemingly supernatural forces. Bulgarian-French structuralist literary critic Tzvetan Todorov originated the concept, characterizing the fantastic as the hesitation of characters and readers when presented with questions about reality. The fantastic is present in works where the reader experiences hesitation about whether a work presents what Todorov calls "the uncanny", wherein superficially supernatural phenomena turn out to have a rational explanation (such as in the Gothic works of Ann Radcliffe) or "the marvelous", where the supernatural is confirmed by the story. Todorov breaks down the fantastic into a manner of systems, filled with conditions and properties that make it easier to understand. The fantastic requires the fulfillment of three conditions. First, the text must oblige the reader to consider the world of the characters as a world of living persons and to hesitate between a natural or supernatural explanation of the events described. Second, this hesitation may also be experienced by a character; thus the reader's role is so to speak entrusted to a character, and at the same time the hesitation is represented, it becomes one of the themes of the work—in the case of naive reading, the actual reader identifies himself with the character. Third, the reader must adopt a certain attitude with regard to the text: he will reject allegorical as well as "poetic" interpretations. The fantastic also explores three conditions; reader’s hesitation, hesitation may be felt by another character, and the reader must have a certain mindset when reading the text. There is also a system to the fantastic that he explores that uses three properties. The utterance which discusses the use of figurative discourse, how everything figurative is taken in a literal sense. The supernatural begins to exist within the fantastic due to exaggeration, figurative expression being taken literal, and how the supernatural originates from the rhetorical figure.