GopuramA gopuram or gopura (Tamil: கோபுரம், Telugu: గోపురం, Malayalam: ഗോപുരം, Kannada: ಗೋಪುರ) is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the South Indian architecture of the southern Indian states of Tamil Nadu, Andhra Pradesh, Kerala, Karnataka, and Telangana, and Sri Lanka. In other areas of India they are much more modest, while in Southern Indian temples they are very often by far the highest part of the temple.
HariharaHarihara (Sanskrit: हरिहर) is the fused sattvika characterisation of Vishnu (Hari) and Shiva (Hara) from Hindu theology. Hari is the form of Vishnu, and Hara is the form of Shiva. Harihara is also known as Shankaranarayana ("Shankara" is Shiva, and "Narayana" is Vishnu). Harihara is also sometimes used as a philosophical term to denote the unity of Vishnu and Shiva as different aspects of the same Ultimate Reality called Brahman.
ShikharaShikhara (IAST: ), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A shikhara over the garbhagriha chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is vimana; unlike the shikhara, this refers to the whole building, including the sanctum beneath.
Kalachuri dynastyThe Kalachuris (IAST: Kalacuri), also known as Kalachuris of Mahishmati, were an Indian dynasty that ruled in west-central India between 6th and 7th centuries. They are also known as the Haihayas or as the Early Kalachuris to distinguish them from their later namesakes, especially the Kalachuris of Tripuri. The Kalachuri territory included parts of present-day Gujarat, Madhya Pradesh, and Maharashtra. Their capital was probably located at Mahishmati.
AurangabadAurangabad (), officially known as Chhatrapati Sambhaji Nagar, also spelt Chhatrapati Sambhajinagar, is a city in the Indian state of Maharashtra. It is the administrative headquarters of Aurangabad district and is the largest city in the Marathwada region. Located on a hilly upland terrain in the Deccan Traps, Aurangabad is the fifth-most populous urban area in Maharashtra after Mumbai, Pune, Nagpur and Nashik with a population of 1,175,116. The city is known as a major production center of cotton textile and artistic silk fabrics.
Lotus throneThe lotus throne, sometimes called lotus platform, is a stylized lotus flower used as the seat or base for a figure in art associated with Indian religions. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular. The precise form varies, but is intended to represent the opening flower of Nelumbo nucifera, the Indian lotus.
Kanheri CavesThe Kanheri Caves (Kānherī-guhā [kaːnɦeɾiː ɡuɦaː]) are a group of caves and rock-cut monuments cut into a massive basalt outcrop in the forests of the Sanjay Gandhi National Park, on the former island of Salsette in the western outskirts of Mumbai, India. They contain Buddhist sculptures and relief carvings, paintings and inscriptions, dating from the 1st century CE to the 10th century CE. Kanheri comes from the Sanskrit Krishnagiri, which means black mountain. The site is on a hillside, and is accessible via rock-cut steps.
MahishasuraMahishasura is a bovine asura in Hinduism. He is depicted in literature to be a deceitful demon who pursued his evil ways by shape-shifting. Mahishasura was the son of Mahisi (Buffalo) and the great-grandson of Brahmarshi Kashyapa. He was ultimately killed by goddess Durga with her trishula (trident) after which she gained the epithet Mahishasuramardini ("Slayer of Mahishasura"). The Navaratri ("Nine Nights") festival eulogises this battle between Mahishasura and Durga, culminating in Vijaya Dasami, a celebration of his ultimate defeat.
Ficus religiosaFicus religiosa or sacred fig is a species of fig native to the Indian subcontinent and Indochina that belongs to Moraceae, the fig or mulberry family. It is also known as the bodhi tree, pimple tree, peepul tree, peepal tree, pipala tree, ashvattha tree (in India and Nepal), or Asathu (ඇසතු) in Sinhala. The sacred fig is considered to have a religious significance in three major religions that originated on the Indian subcontinent, Hinduism, Buddhism and Jainism. Hindu and Jain ascetics consider the species to be sacred and often meditate under it.
Jain artJain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture. In general Jain art broadly follows the contemporary style of Indian Buddhist and Hindu art, though the iconography, and the functional layout of temple buildings, reflects specific Jain needs. The artists and craftsmen producing most Jain art were probably not themselves Jain, but from local workshops patronized by all religions.
