The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Shelly Johnson. Members use the post-nominal letters "ASC". On the 1920 film titled Sand, cinematographer Joseph H. August, who was an original member of the ASC, became the first individual to have the "ASC" appear after his name on the onscreen credit. Only film cinematographers and special effect supervisors can become an ASC member. Basic requirements include being a director of photography for a minimum five out of the last eight years, having a high professional reputation and being recommended by three active or retired ASC members. In the beginning of cinema, directors and photographers in the United States had a similar problem: they had "big, ugly white streaks" that resulted from static electricity discharged from the cameras. Two separate groups in the United States worked together to find a solution to this problem. The two groups were the Cinema Camera Club and the Static Club of America. A precursor to the ASC, the Cinema Camera Club in New York City was founded in 1913 by Arthur Miller, Phil Rosen, and Frank Kugler. Arthur and his brother, William Miller, both filmmakers in New York City, worked together and established a union for cinematography workers called the Motion Picture Industry Union. Miller left to work in Hollywood, California, one year after the Motion Picture Industry Union was formed. In 1918, Phil Rosen asked the president of the Cinema Camera Club of California, Charles Rosher, whether he could help reorganize the association by creating a national organization with "membership by invitation and a strong educational component".