Sinbad the SailorSinbad the Sailor (ˈsɪnbæd; Sindibādu l-Bahriyy or Sindbad) is a fictional mariner and the hero of a story-cycle. He is described as hailing from Baghdad during the early Abbasid Caliphate (8th and 9th centuries A.D.). In the course of seven voyages throughout the seas east of Africa and south of Asia, he has fantastic adventures in magical realms, encountering monsters and witnessing supernatural phenomena.
Story within a storyA story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as Shakespeare's play Hamlet; a film may show the characters watching a short film; or a novel may contain a short story within the novel.
Thriller (genre)Thriller is a genre of fiction with numerous, often overlapping, subgenres, including crime, horror, and detective fiction. Thrillers are characterized and defined by the moods they elicit, giving their audiences heightened feelings of suspense, excitement, surprise, anticipation and anxiety. This genre is well suited tofilm and television. A thriller generally keeps its audience on the "edge of their seats" as the plot builds towards a climax. The cover-up of important information is a common element.
Historical fantasyHistorical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements (such as magic) into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy. Stories fitting this classification generally take place prior to the 20th century. Films of this genre may have plots set in biblical times or classical antiquity.
Happy endingA happy ending is an ending of the plot of a work of fiction in which almost everything turns out for the best for the main characters and their allies. It's common for the good ending to have the main conflict or struggle resolved. If the story has a villain, the good ending will usually involve them being defeated or killed. In storylines where the protagonists are in physical danger, a happy ending mainly consists of their survival and successful completion of the quest or mission; where there is no physical danger, a happy ending may be lovers consummating their love despite various factors which might have thwarted it.
Magician (fantasy)A magician, also known as an archmage, mage, magus, magic-user, spellcaster, enchanter/enchantress, sorcerer/sorceress, warlock, witch, or wizard, is someone who uses or practices magic derived from supernatural, occult, or arcane sources. Magicians are common figures in works of fantasy, such as fantasy literature and role-playing games, and enjoy a rich history in mythology, legends, fiction, and folklore. People who work magic are called by several names in fantasy works, and terminology differs widely from one fantasy world to another.
Al-Masudial-Masʿūdī (full name ALA, أبو الحسن علي بن الحسين بن علي المسعودي), 896–956, was an Arab historian, geographer and traveler. He is sometimes referred to as the "Herodotus of the Arabs". A polymath and prolific author of over twenty works on theology, history (Islamic and universal), geography, natural science and philosophy, his celebrated magnum opus The Meadows of Gold (Murūj al-Dhahab) combines universal history with scientific geography, social commentary and biography. Apart from what al-Mas'udi writes of himself little is known.
KathasaritsagaraThe Kathāsaritsāgara ("Ocean of the Streams of Stories") (Devanagari: कथासरित्सागर) is a famous 11th-century collection of Indian legends, histories and folk tales as retold in Sanskrit by the Shaivite Somadeva. Kathāsaritsāgara contains multiple layers of story within a story and is said to have been adopted from Guṇāḍhya's Bṛhatkathā ("the Great Narrative"), which was written in a poorly-understood language known as Paiśāchī. The Bṛhatkathā is no longer extant but several later adaptations still exist — the Kathāsaritsāgara, Bṛhatkathamanjari and Bṛhatkathāślokasaṃgraha.
