Concept
Aniconism in Christianity
Related concepts (16)
Byzantine Iconoclasm
The Byzantine Iconoclasm (Eikonomachía) were two periods in the history of the Byzantine Empire when the use of s or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising the Roman-Latin and the Eastern-Orthodox traditions) and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842.
Aniconism
Aniconism is the absence of artistic representations (icons) of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists.
Christian art
Christian art is sacred art which uses subjects, themes, and imagery from Christianity. Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much rarer in Protestant art than that of Roman Catholicism and Eastern Orthodoxy.
Early Christian art and architecture
Early Christian art and architecture or Paleochristian art is the art produced by Christians or under Christian patronage from the earliest period of Christianity to, depending on the definition used, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. After 550 at the latest, Christian art is classified as Byzantine, or of some other regional type. It is hard to know when distinctly Christian art began.
Christian symbolism
Christian symbolism is the use of symbols, including archetypes, acts, artwork or events, by Christianity. It invests objects or actions with an inner meaning expressing Christian ideas. The symbolism of the early Church was characterized by being understood by initiates only, while after the legalization of Christianity in the Roman Empire during the 4th century more recognizable symbols entered in use. Christianity has borrowed from the common stock of significant symbols known to most periods and to all regions of the world.
Depiction of Jesus
The depiction of Jesus in pictorial form dates back to early Christian art and architecture, as aniconism in Christianity was the norm within the ante-Nicene period. It took several centuries to reach a conventional standardized form for his physical appearance, which has subsequently remained largely stable since that time. Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen.
Aniconism in Islam
In some forms of Islamic art, aniconism stems in part from the prohibition of idolatry and in part from the belief that the creation of living forms is God's prerogative. The Quran does not explicitly prohibit visual representation of any living being. The corpus of hadith (sayings attributed to the Islamic prophet Muhammad) contains more explicit prohibitions of images of living beings, challenging painters to "breathe life" into their images and threatening them with punishment on the Day of Judgment.
Christianity in the ante-Nicene period
Christianity in the ante-Nicene period was the time in Christian history up to the First Council of Nicaea. This article covers the period following the Apostolic Age of the first century, c. 100 AD, to Nicaea in 325 AD. The second and third centuries saw a sharp divorce of Christianity from its early roots. There was an explicit rejection of then-modern Judaism and Jewish culture by the end of the second century, with a growing body of adversus Judaeos literature.
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write" or to draw). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition.
Iconoclasm
Iconoclasm (from Greek: εἰκών + κλάω) is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious.