The Bayon (ប្រាសាទបាយ័ន, Prasat Bayoăn praːsaːt baːjŏən) is a richly decorated Khmer temple related to Buddhism at Angkor in Cambodia. Built in the late 12th or early 13th century as the state temple of the King Jayavarman VII (ព្រះបាទជ័យវរ្ម័នទី ៧), the Bayon stands at the centre of Jayavarman's capital, Angkor Thom (អង្គរធំ).
The Bayon's most distinctive feature is the multitude (4 on each tower pointing to the 4 sides) of serene and smiling stone faces of The Buddha, (probably modelled on the face of King Jayavarman VII), on the many towers which jut out from the upper terrace and cluster around its central peak. The main conservatory body, the Japanese Government Team for the Safeguarding of Angkor (the JSA) has described the temple as "the most striking expression of the baroque style" of Khmer architecture, as contrasted with the classical style of Angkor Wat (ប្រាសាទអង្គរវត្ត).
The original name for the Bayon is Jayagiri (ជ័យគីរី, Chey Kĭri) (or "Victory Mountain" or “Mountain of Brahma” ; “Jaya” - another name of Brahma and “giri” to mountain), with Sanskrit roots similar to Sīnhāgiri ("Lion Rock").
The name of Bayon was given by Etienne Aymonier in 1880. According to his report, Bayon was the Latin transliteration of what he had seen written in Khmer as "Bayânt" which he presumed most have been a corrupted form of the pali Vejayant or Sanskrit Vaijayant, the name of the celestial palace of Indra of which the Bayon was presumed to be the earthly reflection. The first syllable Ba as a Sanskritic prefix was similar to that found in other places such as Ba Phnom and could signify the presence of a protector or defensor.
The Bayon was the last state temple to be built at Angkor (ក្រុងអង្គរ), and the only Angkorian state temple to be built primarily to worship buddhist deities, though a great number of minor and local deities were also encompassed as representatives of the various districts and cities of the realm.
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Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher.
Khmer architecture (ស្ថាបត្យកម្មខ្មែរ), also known as Angkorian architecture (ស្ថាបត្យកម្មសម័យអង្គរ), is the architecture produced by the Khmers during the Angkor period of the Khmer Empire from approximately the later half of the 8th century CE to the first half of the 15th century CE. The architecture of the Indian rock-cut temples, particularly in sculpture, had an influence on Southeast Asia and was widely adopted into the Indianised architecture of Cambodian (Khmer), Annamese and Javanese temples (of the Greater India).
Buddhism in Cambodia or Khmer Buddhism (ព្រះពុទ្ធសាសនានៅកម្ពុជា, UNGEGN: Preăh Pŭtthôsasânéa noŭ Kâmpŭchéa) has existed since at least the 5th century. In its earliest form it was a type of Mahāyāna Buddhism. Today, the predominant form of Buddhism in Cambodia is Theravada Buddhism. It is enshrined in the Cambodian constitution as the official religion of the country. Theravada Buddhism has been the Cambodian state religion since the 13th century (except during the Khmer Rouge period). As of 2019 it was estimated that 97.
La problématique des microplastiques fait l’objet d’un intérêt croissant, mais la situation dans les eaux douces reste peu connue. Les travaux présentés ici cherchent à combler cette lacune, et mieux comprendre l’étendue et les implications de cette pollution avec un premier état des lieux dans les eaux suisses.