Time stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.
These processes are often used to match the pitches and tempos of two pre-recorded clips for mixing when the clips cannot be reperformed or resampled. Time stretching is often used to adjust radio commercials and the audio of television advertisements to fit exactly into the 30 or 60 seconds available. It can be used to conform longer material to a designated time slot, such as a 1-hour broadcast.
The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomplished through sample rate conversion. When using this method, the frequencies in the recording are always scaled at the same ratio as the speed, transposing its perceived pitch up or down in the process. Slowing down the recording to increase duration also lowers the pitch, while speeding it up for a shorter duration respectively raises the pitch, creating the so-called Chipmunk effect. When resampling audio to a notably lower pitch, it may be preferred that the source audio is of a higher sample rate, as slowing down the playback rate will reproduce an audio signal of a lower resolution, and therefore reduce the perceived clarity of the sound. On the contrary, when resampling audio to a notably higher pitch, it may be preferred to incorporate an interpolation filter, as frequencies that surpass the Nyquist frequency (determined by the sampling rate of the audio reproduction software or device) will create usually undesired sound distortions, a phenomenon that is also known as aliasing.
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_Pitch shifting Pitch shifting is a sound recording technique in which the original pitch of a sound is raised or lowered. Effects units that raise or lower pitch by a pre-designated musical interval (transposition) are called pitch shifters. The simplest methods are used to increase pitch and reduce durations or, conversely, reduce pitch and increase duration. This can be done by replaying a sound waveform at a different speed than it was recorded.
Auto-Tune (or autotune) is an audio processor introduced in 1997 by the American company Antares Audio Technologies. It uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances. Auto-Tune was originally intended to disguise or correct off-key inaccuracies, allowing vocal tracks to be perfectly tuned. The 1998 Cher song "Believe" popularized the technique of using Auto-Tune to distort vocals.
Pitch correction is an electronic effects unit or audio software that changes the intonation (highness or lowness in pitch) of an audio signal so that all pitches will be notes from the equally tempered system (i.e., like the pitches on a piano). Pitch correction devices do this without affecting other aspects of its sound. Pitch correction first detects the pitch of an audio signal (using a live pitch detection algorithm), then calculates the desired change and modifies the audio signal accordingly.
A technique developed to acquire fast optical signals using low frequency detection and acquisition is presented here. It is based on optical sampling that creates a replica of the fast signal on a much slower time scale by a simple strobe effect. High ban ...
Sampling moiré effects occur due to aliasing (foldover) when a continuous periodic signal g(x) is sampled using a sampling frequency that does not respect the Nyquist condition. However, visible beating artifacts may also occur when g(x) is sampled using s ...