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Concept
Libretto
Summary
A libretto (an English word derived from the Italian word libretto, booklet) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.
The Italian word libretto (liˈbretto, libretti liˈbretti) is the diminutive of the word libro ("book"). Sometimes other-language equivalents are used for libretti in that language, livret for French works, Textbuch for German and libreto for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word libretto to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by scene.
The relationship of the librettist (that is, the writer of a libretto) to the composer in the creation of a musical work has varied over the centuries, as have the sources and the writing techniques employed.
In the context of a modern English-language musical theatre piece, the libretto is often referred to as the book of the work, though this usage typically excludes sung lyrics.
Libretti for operas, oratorios and cantatas in the 17th and 18th centuries were generally written by someone other than the composer, often a well-known poet.
Pietro Trapassi, known as Metastasio (1698–1782) was one of the most highly regarded librettists in Europe. His libretti were set many times by many different composers. Another noted 18th-century librettist was Lorenzo Da Ponte. He wrote the libretti for three of Mozart's greatest operas, and for many other composers as well. Eugène Scribe was one of the most prolific librettists of the 19th century, providing the words for works by Meyerbeer (with whom he had a lasting collaboration), Auber, Bellini, Donizetti, Rossini and Verdi.
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