Are you an EPFL student looking for a semester project?
Work with us on data science and visualisation projects, and deploy your project as an app on top of GraphSearch.
Concept
Georges Salles
Summary
Georges Salles (24 September 1889 – 20 October 1966) was a 20th-century French art historian and curator.
A specialist of the East, George Salles led excavations in Iran, Afghanistan, and China. He was then curator at the Asian Arts Department of the Louvre Museum, and in 1941 director of the Guimet Museum. Speaking of the first General Conference of the ICOM, held in Paris in 1948, its president Georges Salles reported that "It has enabled a better understanding of the skills needed in our time by the curator of a museum if he/she is to fulfill h/h duties in a satisfactory manner." Between 1945 and 1957 he was director of the Museums of France. With Jean Cassou, he laid the foundations for a new design of the museum of modern art, to make art available to the greatest number. It is with his support that were made the ceiling by Georges Braque at the Louvre, the fresco of Pablo Picasso and the wall of Joan Miró at the UNESCO, all famous painters of whom he was a friend. Himself a collector, he bought works of young artists such as Mark Tobey. He published a Histoire des Arts de l’Orient, then Au Louvre, scènes de la vie du musée, and Le Regard in 1939. With André Malraux, he headed the series L’Univers des formes.
In 1953, Salles joined the cultural council of the Cultural Circle of Royaumont.
A few weeks later [in 1951], in Paris, I went to see Georges Salles, director of French Museums, a charming gentleman with whom I had formed a warm but casual friendship, having been introduced by Picasso. I was touched by the fact that in his office at the Louvre hung but a single work of art: a small etching of a girl's head by Cezanne, executed in 1873 under the tutelage of Dr. Gachet at Auvers-sur-Oise. I related my visit to Cezanne's studio and asked whether the French Museums might not eventually intervene to save for posterity this unique locale where so intense an evocation of Cezanne's spirit still survived. He replied that the prospect was highly appealing to him personally, but that he would have little hope of persuading superior authorities to subsidize it.
Official source
About this result
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.