Optical printerAn optical printer is a device consisting of one or more film projectors mechanically linked to a movie camera. It allows filmmakers to re-photograph one or more strips of film. The optical printer is used for making special effects for motion pictures, or for copying and restoring film material. Common optical effects include fade outs and fade ins, dissolves, slow motion, fast motion, and matte work. More complicated work can involve dozens of elements, all combined into a single scene.
Live actionLive action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated feature film. Live-action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live-action" as in the case of some media reports about Disney's The Lion King (2019 film) remake of the traditionally animated The Lion King from 1994.
Virtual cinematographyVirtual cinematography is the set of cinematographic techniques performed in a computer graphics environment. It includes a wide variety of subjects like photographing real objects, often with stereo or multi-camera setup, for the purpose of recreating them as three-dimensional objects and algorithms for the automated creation of real and simulated camera angles. Virtual cinematography can be used to shoot scenes from otherwise impossible camera angles, create the photography of animated films, and manipulate the appearance of computer-generated effects.
Monster movieA monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature. Typically, movie monsters differ from more traditional antagonists in that many exist due to circumstances beyond their control; their actions are not entirely based on choice, potentially making them objects of sympathy to film viewers.
AnimatorAn animator is an artist who creates multiple images, known as frames, which give an illusion of movement called animation when displayed in rapid sequence. Animators can work in a variety of fields including film, television, and video games. Animation is closely related to filmmaking and like filmmaking is extremely labor-intensive, which means that most significant works require the collaboration of several animators. The methods of creating the images or frames for an animation piece depend on the animators' artistic styles and their field.
GodzillaGodzilla is a fictional monster, or kaiju, that debuted in the eponymous 1954 film, directed and co-written by Ishirō Honda. The character has since become an international pop culture icon, appearing in various media: 33 Japanese films produced by Toho Co., Ltd., five American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", an epithet first used in Godzilla, King of the Monsters! (1956), the American localization of the 1954 film.
Matte paintingA matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is not present at the filming location. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage (compositing). At its best, depending on the skill levels of the artists and technicians, the effect is "seamless" and creates environments that would otherwise be impossible or expensive to film.
MorphingMorphing is a special effect in motion pictures and animations that changes (or morphs) one or shape into another through a seamless transition. Traditionally such a depiction would be achieved through dissolving techniques on film. Since the early 1990s, this has been replaced by computer software to create more realistic transitions. A similar method is applied to audio recordings, for example, by changing voices or vocal lines. Long before digital morphing, several techniques were used for similar image transformations.
Bullet hit squibA bullet hit squib or a blood squib is a practical, pyrotechnic special effect device used mainly in the film industry, TV shows and stage performances and even in first responder moulage training to simulate the appearance of a person being shot and wounded. This is achieved by blowing open a pre-scored hole on the actor's clothing and bursting a fake blood packet with a small explosion, creating an aesthetic that filmmakers and audiences alike have become accustomed to associating with a gunshot wound.
KaijuKaiju is a Japanese term that is commonly associated with media involving giant monsters. A subgenre of science fiction, it was created by Eiji Tsuburaya and Ishirō Honda. The word can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters. Director Ishirō Honda and tokusatsu director Eiji Tsuburaya's 1954 film Godzilla is often regarded as the first kaiju film.
