KhvarenahKhvarenah (also spelled khwarenah or xwarra(h): 𐬓𐬀𐬭𐬆𐬥𐬀𐬵 ) is an Avestan word for a Zoroastrian concept literally denoting "glory" or "splendour" but understood as a divine mystical force or power projected upon and aiding the appointed. The neuter noun thus also connotes "(divine) royal glory", reflecting the perceived divine empowerment of kings. The term also carries a secondary meaning of "(good) fortune"; those who possess it are able to complete their mission or function.
Amesha SpentaIn Zoroastrianism, the Amesha Spenta (Aməša Spəṇta—literally "Immortal (which is) holy/bounteous/furthering") are a class of seven divine entities emanating from Ahura Mazda, the highest divinity of the religion. Later Middle Persian variations of the term include the contraction 'Ameshaspand' as well as the specifically Zoroastrian 'Mahraspand' and 'Amahraspand'. Significantly more common than the non-specific meaning of Amesha Spenta (see below) is a restrictive use of the term to refer to the great seven divine entities emanating from Ahura Mazda.
ArshtatArshtat (𐬀𐬭𐬱𐬙𐬁𐬝) is the Avestan language name of a Zoroastrian principle and signifies either "justice" or "honesty." As a substantive, arshtat designates the divinity Arshtat, the hypostasis of "Rectitude" and "Justice". Her standing epithet is "world-furthering" or "world-promoting." Although there is a yasht nominally dedicated to Arshtat (Yasht 18), this hymn does not mention her, and it has been supposed that "the occurrence of arš- 'correct' may have been the reason" for the dedication.
JamshidJamshid (dʒæmˈʃiːd) (جمشید, Jamshēd; Middle- and New Persian: جم, Jam) also known as Yima (Avestan: 𐬫𐬌𐬨𐬀 Yima; Pashto/Dari: یما Yama) is the fourth Shah of the mythological Pishdadian dynasty of Iran according to Shahnameh. In Persian mythology and folklore, Jamshid is described as the fourth and greatest king of the epigraphically unattested Pishdadian Dynasty (before the Kayanian dynasty). This role is already alluded to in Zoroastrian scripture (e.g.
AbanApas (ˈɑːpəs,_æp-, āpas) is the Avestan language term for "the waters", which, in its innumerable aggregate states, is represented by the Apas, the hypostases of the waters. Āb (plural Ābān) is the Middle Persian-language form. "To this day reverence for water is deeply ingrained in Zoroastrians, and in orthodox communities offerings are regularly made to the household well or nearby stream." The ape zaothra ceremony—the culminating rite of the Yasna service (which is in turn the principal act of worship)—is literally for the "strengthening of the waters.
YashtThe Yashts are a collection of twenty-one hymns in the Younger Avestan language. Each of these hymns invokes a specific Zoroastrian divinity or concept. Yasht chapter and verse pointers are traditionally abbreviated as Yt. The word yasht derives from Middle Persian 𐭩𐭱𐭲 yašt (“prayer, worship”) probably from Avestan 𐬫𐬀𐬱𐬙𐬀 (yašta, “honored”), from 𐬫𐬀𐬰 (yaz, “to worship, honor”), from Proto-Indo-European *yeh2ǵ- or *Hyaǵ-, and several hymns of the Yasna liturgy that "venerate by praise" are—in tradition—also nominally called yashts.
Zoroastrian calendarAdherents of Zoroastrianism use three distinct versions of traditional calendars for liturgical purposes, all derived from medieval Iranian calendars and ultimately based on the Babylonian calendar as used in the Achaemenid empire. Qadimi ("ancient") is a traditional reckoning introduced in 1006. Shahanshahi ("imperial") is a calendar reconstructed from the 10th century text Denkard. Fasli is a term for a 1906 adaptation of the 11th century Jalali calendar following a proposal by Kharshedji Rustomji Cama made in the 1860s.
Fire templeA fire temple, Agiary, Atashkadeh (آتشکده), Atashgah (آتشگاه) or Dar-e Mehr (در مهر) is the place of worship for the followers of Zoroastrianism, the ancient religion of Iran (Persia). In the Zoroastrian religion, fire (see atar), together with clean water (see aban), are agents of ritual purity. Clean, white "ash for the purification ceremonies [is] regarded as the basis of ritual life", which "are essentially the rites proper to the tending of a domestic fire, for the temple [fire] is that of the hearth fire raised to a new solemnity".
