Concept

Joel McCrea

Summary
Joel Albert McCrea (November 5, 1905 – October 20, 1990) was an American actor whose career spanned a wide variety of genres over almost five decades, including comedy, drama, romance, thrillers, adventures, and Westerns, for which he became best known. He appeared in over one hundred films, starring in over eighty, among them Alfred Hitchcock's espionage thriller Foreign Correspondent (1940), Preston Sturges' comedy classics Sullivan's Travels (1941), and The Palm Beach Story (1942), the romance film Bird of Paradise (1932), the adventure classic The Most Dangerous Game (1932), Gregory La Cava's bawdy comedy Bed of Roses (1933), George Stevens' six-time Academy Award nominated romantic comedy The More the Merrier (1943), William Wyler's These Three, Come and Get It (both 1936) and Dead End (1937), Howard Hawks' Barbary Coast (1935), and a number of western films, including Wichita (1955) as Wyatt Earp and Sam Peckinpah's Ride the High Country (1962), opposite Randolph Scott. He starred in a total of three Best Picture Oscar nominees: Dead End (1937), Foreign Correspondent (1940), and The More the Merrier (1943). With the exception of the British thriller Rough Shoot (1953) and film noir Hollywood Story (1951), McCrea appeared in Western films exclusively from 1946 until his retirement in 1976. McCrea was born in South Pasadena, California, the son of Thomas McCrea, an executive with the L.A. Gas & Electric Company, and Louise "Lou" Whipple. As a boy, he had a paper route delivering the Los Angeles Times to Cecil B. DeMille and other people in the film industry. He also had the opportunity to watch D. W. Griffith filming Intolerance, and was an extra in a serial starring Ruth Roland. McCrea graduated from Hollywood High School and then Pomona College (class of 1928.) There he had acted on stage and took courses in drama and public speaking, while also appearing regularly at the Pasadena Playhouse. In 1928 he also met Wyatt Earp in Hollywood - later in 1955, McCrea would portray Earp in the film, Wichita.
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