Concept

Wheels of Fire

Summary
Wheels of Fire is the third album by the British rock band Cream. It was released in the US in June 1968 as a two-disc vinyl LP, with one disc recorded in the studio and the other recorded live. It was released in the UK on August 9. It reached number three in the United Kingdom and number one in the United States, Canada and Australia, becoming the world's first platinum-selling double album. In May 2012, Rolling Stone magazine ranked it at number 205 on its list of the 500 greatest albums of all time. It was voted number 757 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). It was also released as two single LPs, Wheels of Fire (In the Studio) and Wheels of Fire (Live at the Fillmore), released together with similar cover art. In the UK the studio album art was black print on aluminium foil, while the live album art was a negative image of the studio cover. In Japan, the studio album art was black on gold foil, while the live album art was black on aluminium foil. In Australia, both covers were laminated copies of the Japanese releases. Cream's third album was planned to be a double album on which Atco Records' producer Felix Pappalardi and the group would include several live performances. Unlike Disraeli Gears, which had been recorded in a matter of days, the Wheels of Fire sessions took place in small bursts over many months. The group and Pappalardi had, in July and August 1967, recorded studio material at IBC Studios in London. Recordings continued with short sessions at Atlantic Studios in September, October and December 1967. Further work took place at Atlantic in February 1968, during a break from the band's heavy tour schedule. The following month, Pappalardi ordered that a mobile recording studio in Los Angeles be shipped to the Fillmore Auditorium and the Winterland Ballroom in San Francisco. Six shows were recorded in San Francisco by Pappalardi and recording engineer Bill Halverson, and extra performances not included on Wheels of Fire ended up on Live Cream and Live Cream Volume II.
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