Johannes HentschelJohannes Hentschel studied music education, music theory, and Romance studies in Freiburg i. Br., Lübeck, and Helsinki. Proficient as an accordionist, singer and conductor, he is a lecturer for music theory at music universities. In 2018, however, he suspended this activity for the Digital Humanities Doctoral Program at the Swiss Federal Insititute of Technology Lausanne (EPFL). Supervised by Prof. Dr. Martin Rohrmeier at the Digital and Cognitive Musicology Lab (DCML), Johannes is preparing a thesis on diachronic style change in music while deepening his knowledge in corpus building and metadata organization.
Daniel HarasimI am a Postdoctoral Researcher in Computational Musicology at the Digital and Cognitive Musicology Lab (DCML).My main research focus lies on probabilistic modeling of musical structures at the moment, combining approaches from machine learning, Bayesian statistics, computer linguistics, and music theory. Besides, I am studying and developing methods related to representation learning and probabilistic programming.In my PhD thesis The Learnability of the Grammar of Jazz: Bayesian Inference of Hierarchical Structures in Harmony, supervised by Martin Rohrmeier (EPFL) and Timothy O’Donnell (McGill University), I simulated how abstract knowledge about musical structure is learnable without a teacher from listening and engaging with music.In 2015, I earned a master’s degree in mathematics and computer science at the TU Dresden where I in particular worked on geometric structures of voice-leading spaces. My research interests further include topics from mathematical music theory, music cognition, and computational cognitive science. Aside from my academic activities, I enjoy playing the upright bass in Jazz improvisations.