A castrato (Italian, plural: castrati) is a male singer who underwent castration before puberty in order to retain singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice can also occur in one who, due to an endocrinological condition, never reaches sexual maturity.
Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century.
Methods of castration used to terminate the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or complete removal via surgical cutting was performed (however the complete removal of the testicles was not a popularly used technique). The procedure was usually done to boys around the age of 8–10, recovery time from the procedure took around two weeks. The means by which future singers were prepared could lead to premature death. To prevent the child from experiencing the intense pain of castration, many were inadvertently administered lethal doses of opium or some other narcotic, or were killed by overlong compression of the carotid artery in the neck (intended to render them unconscious during the castration procedure).
The geographical locations of where these procedures took place is not known specifically. During the 18th century itself, the music historian Charles Burney was sent from pillar to post in search of places where the operation was carried out: I enquired throughout Italy at what place boys were chiefly qualified for singing by castration, but could get no certain intelligence.
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