Romeo and JulietRomeo and Juliet is a tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed. Today, the title characters are regarded as archetypal young lovers. Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity.
CoriolanusCoriolanus (kɒriəˈleɪnəs or -ˈlɑː-) is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Caius Marcius Coriolanus. Shakespeare worked on it during the same years he wrote Antony and Cleopatra, making them his last two tragedies. Coriolanus is the name given to a Roman general after his military feats against the Volscians at Corioli. Following his success he seeks to be consul, but his disdain for the plebeians and the mutual hostility of the tribunes lead to his banishment from Rome.
CatharsisCatharsis is from the Ancient Greek word κάθαρσις, katharsis, meaning "purification" or "cleansing". In English it can refer to a number of different excreting acts. It is most commonly used today to refer to the purification and purgation of thoughts and emotions, and to a resulting emotional state that results in renewal and restoration. In dramaturgy, the term usually refers to arousing negative emotion in an audience, which then expels it, making them feel happier.
The Birth of TragedyThe Birth of Tragedy Out of the Spirit of Music (Die Geburt der Tragödie aus dem Geiste der Musik) is an 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as The Birth of Tragedy, Or: Hellenism and Pessimism (Die Geburt der Tragödie, Oder: Griechentum und Pessimismus). The later edition contained a prefatory essay, "An Attempt at Self-Criticism", wherein Nietzsche commented on this earliest book.
Deus ex machinaDeus ex machina (ˌdeɪəs_ɛks_ˈmækᵻnə,_ˈmɑːk- , ˈdɛ.ʊs ɛks ˈmaːkhɪnaː; plural: dei ex machina; English "god from the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly or abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending or act as a comedic device. Deus ex machina is a Latin calque .
SatyrIn Greek mythology, a satyr (sátyros, sátyros), also known as a silenus or silenos (σειληνός seilēnós seːlɛːnós), and selini (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked.
Prometheus BoundPrometheus Bound (Προμηθεὺς Δεσμώτης, Promētheús Desmṓtēs) is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished. C. J.
MacbethMacbeth (məkˈbɛθ, full title The Tragedie of Macbeth) is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
Theatre of ancient GreeceAncient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies.
Orestes (play)Orestes (Ὀρέστης, Orestēs) (408 BCE) is an Ancient Greek play by Euripides that follows the events of Orestes after he had murdered his mother. In accordance with the advice of the god Apollo, Orestes has killed his mother Clytemnestra to avenge the death of his father Agamemnon at her hands. Despite Apollo's earlier prophecy, Orestes finds himself tormented by Erinyes or Furies to the blood guilt stemming from his matricide. The only person capable of calming Orestes down from his madness is his sister Electra.
