An all-pass filter is a signal processing filter that passes all frequencies equally in gain, but changes the phase relationship among various frequencies. Most types of filter reduce the amplitude (i.e. the magnitude) of the signal applied to it for some values of frequency, whereas the all-pass filter allows all frequencies through without changes in level.
A common application in electronic music production is in the design of an effects unit known as a "phaser", where a number of all-pass filters are connected in sequence and the output mixed with the raw signal.
It does this by varying its phase shift as a function of frequency. Generally, the filter is described by the frequency at which the phase shift crosses 90° (i.e., when the input and output signals go into quadrature – when there is a quarter wavelength of delay between them).
They are generally used to compensate for other undesired phase shifts that arise in the system, or for mixing with an unshifted version of the original to implement a notch comb filter.
They may also be used to convert a mixed phase filter into a minimum phase filter with an equivalent magnitude response or an unstable filter into a stable filter with an equivalent magnitude response.
The operational amplifier circuit shown in adjacent figure implements a single-pole active all-pass filter that features a low-pass filter at the non-inverting input of the opamp. The filter's transfer function is given by:
which has one pole at -1/RC and one zero at 1/RC (i.e., they are reflections of each other across the imaginary axis of the complex plane). The magnitude and phase of H(iω) for some angular frequency ω are
The filter has unity-gain magnitude for all ω. The filter introduces a different delay at each frequency and reaches input-to-output quadrature at ω=1/RC (i.e., phase shift is 90°).
This implementation uses a low-pass filter at the non-inverting input to generate the phase shift and negative feedback.
At high frequencies, the capacitor is a short circuit, creating an inverting amplifier (i.
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Introduction aux Amplificateurs Opérationnels. Applications en contre-réaction négative, mode intégrateur-dérivateur, filtres actifs passe haut et passe bas. Notions avancées de GBW et Slew Rate. Prin
Le but de ce cours est d'apporter les connaissances et les expériences fondamentales pour comprendre les systèmes électriques et électroniques de base.
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In signal processing, a filter is a device or process that removes some unwanted components or features from a signal. Filtering is a class of signal processing, the defining feature of filters being the complete or partial suppression of some aspect of the signal. Most often, this means removing some frequencies or frequency bands. However, filters do not exclusively act in the frequency domain; especially in the field of many other targets for filtering exist.
An audio filter is a frequency dependent circuit, working in the audio frequency range, 0 Hz to 20 kHz. Audio filters can amplify (boost), pass or attenuate (cut) some frequency ranges. Many types of filters exist for different audio applications including hi-fi stereo systems, musical synthesizers, effects units, sound reinforcement systems, instrument amplifiers and virtual reality systems. Low-pass Low-pass filters pass through frequencies below their cutoff frequencies, and progressively attenuates frequencies above the cutoff frequency.
Electronic filter topology defines electronic filter circuits without taking note of the values of the components used but only the manner in which those components are connected. Filter design characterises filter circuits primarily by their transfer function rather than their topology. Transfer functions may be linear or nonlinear. Common types of linear filter transfer function are; high-pass, low-pass, bandpass, band-reject or notch and all-pass.
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