Concept

Mellotron

Summary
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which causes a length of magnetic tape to contact a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's "Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks including the hit single "Strawberry Fields Forever" (1967). The Moody Blues keyboardist Mike Pinder used it extensively on the band's 1967 album Days of Future Passed. The Mellotron became common in progressive rock, used by groups such as King Crimson and Genesis. Later models, such as the bestselling M400, dispensed with the accompaniments and some sound selection controls so it could be used by touring musicians. The instrument's popularity declined in the 1980s after the introduction of polyphonic synthesizers and samplers, despite high-profile users such as Orchestral Manoeuvres in the Dark and XTC. Production of the Mellotron ceased in 1986, but it regained popularity in the 1990s and was used by bands such as Oasis and Radiohead. This led to the resurrection of the original manufacturer, Streetly Electronics. In 2007, Streetly produced the M4000, which combined the layout of the M400 with the bank selection of earlier models. The Mellotron uses the same concept as a sampler, but generates its sound using analogue samples recorded on audio tape rather than digital samples.
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