Concept
Emperor Huizong of Song
Related concepts (16)
Culture of the Song dynasty
The Song dynasty (960–1279 AD) was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts. Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many.
Economy of the Song dynasty
The economy of the Song dynasty (960–1279) in China was the wealthiest economy in the world during its time. The dynasty moved away from the top-down command economy of the Tang dynasty (618-907) and made extensive use of market mechanisms as national income grew to be around three times that of 12th century Europe. The dynasty was beset by invasions and border pressure, lost control of North China in 1127, and fell in 1279. Yet the period saw the growth of cities, regional specialization, and a national market.
Jingkang incident
The Jingkang Incident (), also known as the Humiliation of Jingkang () and the Disorders of the Jingkang Period (), was an episode of invasions and war crimes that took place in 1127 during the Jin–Song Wars when the forces of the Jurchen-led Jin dynasty besieged and sacked the imperial palaces in Bianjing (present-day Kaifeng), the capital of the Han-led Northern Song dynasty. The Jin forces captured the Northern Song ruler, Emperor Qinzong, along with his father, the retired Emperor Huizong, and many members of the imperial family of Emperor Taizong's bloodline and officials of the Song imperial court.
History of the Song dynasty
The Song dynasty (Chinese: 宋朝; pinyin: Sòng cháo; 960–1279) of China was an imperial dynasty that ruled most of China proper and southern China from the middle of the 10th century into the last quarter of the 13th century. The dynasty was established by Emperor Taizu of Song with his usurpation of the throne of Later Zhou, ending the Five Dynasties and Ten Kingdoms period. The Song is considered a high point of classical Chinese innovation in science and technology, an era that featured prominent intellectual figures such as Shen Kuo and Su Song and the revolutionary use of gunpowder weapons.
Chinese calligraphy
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati, along with playing stringed musical instruments, the board game "Go", and painting. There are some general standardizations of the various styles of calligraphy in this tradition.
Along the River During the Qingming Festival
Along the River During the Qingming Festival (Qingming Shanghe Tu) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied many times in the following centuries. It captures the daily life of people and the landscape of the capital, Bianjing (present-day Kaifeng) during the Northern Song. The theme is often said to celebrate the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers.
Guqin
The guqin (AUDzh-gu3qin2.ogggu3qin2; ) is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his qin or se without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages".
Chinese poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language, and a part of the Chinese literature. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, Classical Chinese poetry and Modern Chinese poetry. Poetry is consistently held in high regard in China, often incorporating expressive folk influences filtered through the minds of Chinese literati.
Jiaozi (currency)
Jiaozi () was a form of promissory note which appeared around the 11th century in the Sichuan capital of Chengdu, China. Numismatists regard it as the first paper money in history, a development of the Chinese Song Dynasty (960–1279 CE). Early Jiaozi notes did not have standard denominations but were denominated according to the needs of the purchaser and ranged from 500 wén to 5 guàn. The government office that issued these notes or the Jiaozi wu () demanded a payment or exchange fee () of 30 wén per guàn exchanged from coins to banknote.
Chinese painting
Chinese painting () is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as guó huà (), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called danqing (). Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used.