Whitney Museum

The Whitney Museum of American Art, known informally as "The Whitney", is an art museum located in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. The institution was originally founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), a prominent American socialite, sculptor, and art patron after whom it is named. The Whitney focuses on collecting and preserving 20th- and 21st-century American art. Its permanent collection, spanning the late-19th century to the present, comprises more than 25,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,500 artists. It places particular emphasis on exhibiting the work of living artists as well as maintaining institutional archives of historical documents pertaining to modern and contemporary American art, including the Edward and Josephine Hopper Research Collection, the Sanborn Hopper Archive, and the Arshile Gorky Research Collection, among others. The museum also heads the Whitney Independent Study Program and organizes the Whitney Biennial, an exhibition which showcases the work of emerging artists and which has maintained an important influence on contemporary American art. From 1966 to 2014, the Whitney was located at 945 Madison Avenue on Manhattan's Upper East Side in a building designed by Marcel Breuer and Hamilton P. Smith. The museum closed in October 2014 to relocate to its current building, which was designed by Renzo Piano at 99 Gansevoort Street and opened on May 1, 2015, expanding the museum exhibition space to 50,000 square feet. In 2022, the Whitney was the 67th most-visited art museum in the world and the 10th most-visited art museum in the United States. Gertrude Vanderbilt Whitney, the museum's namesake and founder, was a well-regarded sculptor and serious art collector. As a patron of the arts, she began acquiring art in 1905, and had achieved some success with the Whitney Studio and Whitney Studio Club, New York–based exhibition spaces she operated from 1914 to 1928 to promote the works of avant garde and unrecognized American artists.