Châtelperronian

{ "type": "ExternalData", "service": "page", "title": "ROCEEH/Chatelperronian.map" } The Châtelperronian is a proposed industry of the Upper Palaeolithic, the existence of which is debated. It represents both the only Upper Palaeolithic industry made by Neanderthals and the earliest Upper Palaeolithic industry in central and southwestern France, as well as in northern Spain. It derives its name from Châtelperron, the French village closest to the type site, the cave La Grotte des Fées. The Châtelperronian lasted from c. 45,000 to c. 40,000 BP, and was preceded by the Mousterian industry. The industry produced denticulate stone tools, and a distinctive flint knife with a single cutting edge and a blunt, curved back. The use of ivory at Châtelperronian sites appears to be more frequent than that of the later Aurignacian, while antler tools have not been found. It is followed by the Aurignacian industry. Scholars who question its existence claim that it is an archaeological mix of Mousterian and Aurignacian layers. The Châtelperronian industry may relate to the origins of the very similar Gravettian culture. French archaeologists have traditionally classified both cultures together under the name Périgordian, Early Perigordian being equivalent to the Châtelperronian and all the other phases corresponding to the Gravettian, though this scheme is not often used by Anglophone authors. Large thick flakes/small blocks were used for cores, and were prepared with a crest over a long smooth surface. Using one or two striking points, long thin blades were detached. Direct percussion with a soft hammer was likely used for accuracy. Thicker blades made in this process were often converted into side scrapers, burins were often created in the same manner from debitage as well. The manner of production is a solid continuation of the Mousterian but the ivory adornments found in association are similar to those made by the Aurignacian. The technological refinement of the Châtelperronian and neighbouring Uluzzian in Central-Southern Italy is often argued to be the product of cultural influence from H.