Concept
Constructivist architecture
Related concepts (16)
Deconstructivism
Deconstructivism is a movement of postmodern architecture which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida.
Postconstructivism
Postconstructivism was a transitional architectural style that existed in the Soviet Union in the 1930s, typical of early Stalinist architecture before World War II. The term postconstructivism was coined by Selim Khan-Magomedov, a historian of architecture, to describe the product of avant-garde artists' migration to Stalinist neoclassicism. Khan-Magomedov identified postconstructivism with 1932–1936, but the long construction time and vast size of the country extended the period to 1941.
Stalinist architecture
Stalinist architecture, mostly known in the former Eastern Bloc as Stalinist style (Сталинский стиль) or Socialist Classicism, is the architecture of the Soviet Union under the leadership of Joseph Stalin, between 1933 (when Boris Iofan's draft for the Palace of the Soviets was officially approved) and 1955 (when Nikita Khrushchev condemned "excesses" of the past decades and disbanded the Soviet Academy of Architecture). Stalinist architecture is associated with the Socialist realism school of art and architecture.
Modern architecture
Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that form should follow function (functionalism); an embrace of minimalism; and a rejection of ornament. It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture.
Suprematism
Suprematism (супремати́зм) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects. Founded by Russian artist Kazimir Malevich in 1913, Supremus (Russian: Супремус) conceived of the artist as liberated from everything that pre-determined the ideal structure of life and art.
Functionalism (architecture)
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. An international functionalist architecture movement emerged in the wake of World War I, as part of the wave of Modernism. Its ideas were largely inspired by a desire to build a new and better world for the people, as broadly and strongly expressed by the social and political movements of Europe after the extremely devastating world war.