Dactyl (poetry)

A dactyl (ˈdæktɪl; δάκτυλος, dáktylos, “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem Evangeline (1847), which is in dactylic hexameter: This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem "The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhythmic dash and drive": Just for a handful of silver he left us Just for a riband to stick in his coat The first three feet in both lines are dactyls. Another example is the opening lines of Walt Whitman's poem "Out of the Cradle Endlessly Rocking" (1859), a poem about the birth of the author's poetic voice: Out of the cradle, endlessly rocking [a dactyl, followed by a trochee ('cradle'); then another dactyl followed by a trochee ('rocking')] Out of the mockingbird's throat, the musical shuttle [2 dactyls, then a trochee ('throat, the'); then another dactyl, followed by a trochee] . . The dactyl "out of the..." becomes a pulse that rides through the entire poem, often generating the beginning of each new line, even though the poem as a whole, as is typical for Whitman, is extremely varied and "free" in its use of metrical feet. Dactyls are the metrical foot of Greek and Latin elegiac poetry, which followed a line of dactylic hexameter with dactylic pentameter. In the opening chapter of James Joyce's novel Ulysses (1922), a character quips that his name is "absurd": "Malachi Mulligan, two dactyls" (Mal-i-chi Mull-i-gan).

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Related concepts (11)

Syllable weight

In linguistics, syllable weight is the concept that syllables pattern together according to the number and/or duration of segments in the rime. In classical Indo-European verse, as developed in Greek, Sanskrit, and Latin, distinctions of syllable weight were fundamental to the meter of the line. Mora (linguistics) A heavy syllable is a syllable with a branching nucleus or a branching rime, although not all such syllables are heavy in every language.

Foot (prosody)

The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation.

Pentameter

Pentameter (πεντάμετρος, 'measuring five (feet)') is a poetic meter. А poem is said to be written in a particular pentameter when the lines of the poem have the length of five feet, where a 'foot' is a combination of a particular number (1 or 2) of unstressed (or weak) syllables and a stressed (or strong) syllable. Depending on the pattern of feet, pentameter can be iambic (one of three two-syllable meters alongside trochaic and spondaic) or dactylic (one of two three-syllable meters alongside anapestic).