Classic Maya languageClassic Maya (or properly Classical Ch'olti') is the oldest historically attested member of the Maya linguistic family. It is the main language documented in the pre-Columbian inscriptions of the classical period of the Maya civilization. It is also a direct descendant of Proto-Mayan (as are Wastek and Yucatec) and the common ancestor of the Cholan branch of Mayan languages. Contemporary descendants of classical Maya include Ch'ol and Ch'orti'. Speakers of these languages can understand many Classic Mayan words.
Roof combRoof comb (or roof-comb) is the structure that tops a pyramid in monumental Mesoamerican architecture. Examination of the sections and iconography of Maya civilization roof-combs indicates that each icon had specific sacred meanings. Typically, the roof combs crowned the summit of pyramids and other structures; they consisted of two pierced framework walls which leaned on one another. This framework was covered by plaster decorated with artist depictions of gods or important rulers.
Maya maize godLike other Mesoamerican peoples, the traditional Maya recognize in their staple crop, maize, a vital force with which they strongly identify. This is clearly shown by their mythological traditions. According to the 16th-century Popol Vuh, the Hero Twins have maize plants for alter egos and man himself is created from maize. The discovery and opening of the Maize Mountain – the place where the corn seeds are hidden – is still one of the most popular of Maya tales. In the Classic period (200-900 AD), the maize deity shows aspects of a culture hero.
ItzamnaItzamná (it͡samˈna) is, in Maya mythology, an upper god and creator deity thought to reside in the sky. Itzamná is one of the most important gods in the Classic and Postclassic Maya pantheon. Although little is known about him, scattered references are present in early-colonial Spanish reports (relaciones) and dictionaries. Twentieth-century Lacandon lore includes tales about a creator god (Nohochakyum or Hachakyum) who may be a late successor to him. In the pre-Spanish period, Itzamná was often depicted in books and in ceramic scenes derived from them.
