Concept

Michel Serres

Summary
Michel Serres (sɛʁ; 1 September 1930 – 1 June 2019) was a French philosopher, theorist and writer. His works explore themes of science, time and death, and later incorporated prose. The son of a bargeman, Serres entered France's naval academy, the École Navale, in 1949 and the École Normale Supérieure in 1952. He aggregated in 1955, having studied philosophy. He spent the next few years as a naval officer before finally receiving his doctorate (doctorat ès lettres) in 1968 from the University of Paris (with a thesis titled Le Système de Leibniz et ses modèles mathématiques), and began teaching in 1969 at the University of Paris I. As a child, Serres witnessed firsthand the violence and devastation of war. "I was six for my first dead bodies," he told Bruno Latour. These formative experiences led him consistently to eschew scholarship based upon models of war, suspicion, and criticism. Over the next twenty years, Serres earned a reputation as a spell-binding lecturer and as the author of remarkably beautiful and enigmatic prose so reliant on the sonorities of French that it is considered practically untranslatable. He took as his subjects such diverse topics as the mythical Northwest Passage, the concept of the parasite, and the explosion of the Space Shuttle Challenger. More generally Serres was interested in developing a philosophy of science which does not rely on a metalanguage in which a single account of science is privileged and regarded as accurate. To do this he relied on the concept of translation between accounts rather than settling on one as authoritative. For this reason Serres has relied on the figure of Hermes (in his earlier works) and angels (in more recent studies) as messengers who translate (or map) back and forth between domains (i.e., between maps). In 1990, Serres was elected to the Académie française, in recognition of his position as one of France's most prominent intellectuals. He was an influence on intellectuals such as Bruno Latour, Robert Pogue Harrison, and Jonathan Bate.
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