Concept

1912 in poetry

Summary
Nationality words link to articles with information on the nation's poetry or literature (for instance, Irish or France). January – The Poetry Review, edited by Harold Monro, supersedes the Poetical Gazette as the journal of the Poetry Society, just renamed from the Poetry Recital Society. April 14–15 – Sinking of the RMS Titanic: The ocean liner strikes an iceberg and sinks on her maiden voyage from the United Kingdom to the United States. This leads to a flood of Titanic poems, including Thomas Hardy's "The Convergence of the Twain". September 2 – American poet Robert Frost arrives in England. Indian poet Rabindranath Tagore takes a sheaf of his translated works to England, where they impress W. B. Yeats, Ezra Pound, Robert Bridges, Ernest Rhys, Thomas Sturge Moore and others. Yeats writes the preface to the English translation of Tagore's Gitanjali Harriet Munroe founds Poetry: A Magazine of Verse in Chicago (with Ezra Pound as foreign editor); this year she describes its policy this way: The Open Door will be the policy of this magazine—may the great poet we are looking for never find it shut, or half-shut, against his ample genius! To this end the editors hope to keep free from entangling alliances with any single class or school. They desire to print the best English verse which is being written today, regardless of where, by whom, or under what theory of art it is written. Nor will the magazine promise to limit its editorial comments to one set of opinions. Three poets meet and work out the principles of Imagist poetry. The most prominent of them, Ezra Pound, writes about the formulation in 1954: In the spring or early summer of 1912, 'H.D.' [Hilda Doolittle], Richard Aldington and myself decided that we were agreed upon the three principles following:
  1. Direct treatment of the 'thing' whether subjective or objective.
  2. To use absolutely no word that does not contribute to the presentation.
  3. As regarding rhythm: to compose in the sequence of the musical phrase, not in the sequence of a metronome.
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